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The dissertation focuses on the Edward Gait Collection (1916), along with Sarat Chandra Roy's photographic collection (1916) from Chotanagpur in the Museum of Archaeology and Anthropology (MAA), Cambridge. It will cover the relation between Gait and Roy, in respect of their contributions in the growth of Indian Anthropology in British colonial India. It will examine how these important figures influenced one another in the context of emerging post-Enlightenment disciplines such as archaeology, anthropology and museology. It sheds light on how they perceived the future of ethnographic collecting in view of collection in Cambridge from Chotanagpur.…mehr

Produktbeschreibung
The dissertation focuses on the Edward Gait Collection (1916), along with Sarat Chandra Roy's photographic collection (1916) from Chotanagpur in the Museum of Archaeology and Anthropology (MAA), Cambridge. It will cover the relation between Gait and Roy, in respect of their contributions in the growth of Indian Anthropology in British colonial India. It will examine how these important figures influenced one another in the context of emerging post-Enlightenment disciplines such as archaeology, anthropology and museology. It sheds light on how they perceived the future of ethnographic collecting in view of collection in Cambridge from Chotanagpur.
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Autorenporträt
MA in Museum Studies from the University of East Anglia (UEA), Norwich, and Museum placement in Museum of Archaeology and Anthropology (MAA), Cambridge (2015-2016). Research Fellow at the SADACC Trust, UK (2017) and British Council's Charles Wallace India Trust (2018). Curator of the Sanskrit Museum and Art Gallery, Hazaribagh.