An original and compelling account of the social nature of music and its interplay with the wider society to which it belongs. Crossley explores the doing and meanings of music, as well as its interface with economic, political and wider social structures. -- .
An original and compelling account of the social nature of music and its interplay with the wider society to which it belongs. Crossley explores the doing and meanings of music, as well as its interface with economic, political and wider social structures. -- .
Nick Crossley is Professor of Sociology and co-founder/co-director of the Mitchell Centre for Social Network Analysis at the University of Manchester
Inhaltsangabe
1 Introduction 2 Music as Social Interaction: Embedded Embodied and Multivalent 3 Economic Interactions: Capitalism Industry and the Mainstream 4 Mainstream and Beyond: The Musical Universe and its Worlds 5 Musicking Networks: Nodes Ties and Worlds 6 Semiotic Interactions: Meaning Communication and Affect 7 Practical Interactions: Use Taste Identity 8 Division Inequality and Taste: Musicking in Social Space 9 Political Interactions: Publics Protest and the Avant-Garde Discography Bibliography
1 Introduction 2 Music as Social Interaction: Embedded Embodied and Multivalent 3 Economic Interactions: Capitalism Industry and the Mainstream 4 Mainstream and Beyond: The Musical Universe and its Worlds 5 Musicking Networks: Nodes Ties and Worlds 6 Semiotic Interactions: Meaning Communication and Affect 7 Practical Interactions: Use Taste Identity 8 Division Inequality and Taste: Musicking in Social Space 9 Political Interactions: Publics Protest and the Avant-Garde Discography Bibliography
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