Consent
Legacies, Representations, and Frameworks for the Future
Herausgeber: Franklin, Sophie; Thampuran, Arya; Piercy, Hannah
Consent
Legacies, Representations, and Frameworks for the Future
Herausgeber: Franklin, Sophie; Thampuran, Arya; Piercy, Hannah
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Consent: Legacies, Representations, and Frameworks for the Future examines 'consent' across various historical periods, cultures, and disciplines to offer an expansive, pluralistic vision for future articulations of consent as it circulates throughout contemporary life in sexual encounters, medical contexts, and media representations.
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Consent: Legacies, Representations, and Frameworks for the Future examines 'consent' across various historical periods, cultures, and disciplines to offer an expansive, pluralistic vision for future articulations of consent as it circulates throughout contemporary life in sexual encounters, medical contexts, and media representations.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 264
- Erscheinungstermin: 10. November 2023
- Englisch
- Abmessung: 240mm x 161mm x 19mm
- Gewicht: 566g
- ISBN-13: 9781032429625
- ISBN-10: 1032429623
- Artikelnr.: 68711386
- Verlag: Routledge
- Seitenzahl: 264
- Erscheinungstermin: 10. November 2023
- Englisch
- Abmessung: 240mm x 161mm x 19mm
- Gewicht: 566g
- ISBN-13: 9781032429625
- ISBN-10: 1032429623
- Artikelnr.: 68711386
Sophie Franklin is a postdoctoral researcher in English literature at the Ludwig-Maximilian University of Munich, Germany. She specialises in nineteenth-century literature, cultural legacies, and representations of violence from the late eighteenth century to the present. Hannah Piercy is a postdoctoral researcher and assistant in Medieval English Studies at the University of Bern, Switzerland. She works on medieval insular romance, consent and coercion, and sensory studies. Arya Thampuran is Assistant Professor at Durham University's Institute for Medical Humanities, UK, and the Principal Investigator on the Black Health and the Humanities Network. Her research engages with how creative practitioners across the African diaspora express mental health and healing through non-biomedical modes. Rebecca White teaches in the Department of English Studies at Durham University, UK, where she completed an AHRC-funded doctorate on screen adaptations of nineteenth-century fiction.
Table of Contents; List of Contributors; Acknowledgements; 1. Introduction;
PART I: Culture and Resistance 2. Could Briseis Consent? A Critical
Comparison of Contemporary Women Writers' Adaptations of Briseis's
Narrative 3. Stopping the Rapist in our Path: Resisting Rape Culture in
Latin American Music and Performance Art 4. Mera Jism, Meri Marzi: Crisis
of Consent and Digital Mediations in Pakistan 5. Do to Me What I Could
Never Ask of You: Consensual Non-Consent in BDSM and the Limits of
Affirmative Consent; PART II: Consent on Stage and Screen 6.'You Have No
Right to Do What You Like with Me': Rape, Sexual Abuse, and Consent in
African American Enslavement and its Afterlives 7. Without Consent or
Memory: Consent in Michaela Coel's I May Destroy You 8. Beyond 'Yes,
and...': Consent in the Theatre Arts Curriculum, On-stage and Off; PART
III: Lived Experience and (Authorial) Expressions 9. Re-establishing
Identity through Testimony: The Rape Survival Narratives of Mary Hays's The
Victim of Prejudice (1799) and Mary Wollstonecraft's Maria, or The Wrongs
of Woman (1798) 10. 'A Skin of One's Own': Decolonising Traumatic Testimony
and the Poetics of Wholeness 11. 'I wasn't aware at the time, I could
actually say "no"': Intimacy, Expectations, and Consent in Queer
Relationships; PART IV: Futures of Consent 12. Troubling Technologies for
Sexual Consent 13. Sexual Offences and Defined Consent: Lessons from the
Past and a Framework for the Future 14. Op-eds and Fashion Shows: The
History and Future of Consent Education in Ireland 15. Consent Wars?
Towards a Critical-Governmentality Approach to Consent in Post-Roe America
16. Afterword; Index
PART I: Culture and Resistance 2. Could Briseis Consent? A Critical
Comparison of Contemporary Women Writers' Adaptations of Briseis's
Narrative 3. Stopping the Rapist in our Path: Resisting Rape Culture in
Latin American Music and Performance Art 4. Mera Jism, Meri Marzi: Crisis
of Consent and Digital Mediations in Pakistan 5. Do to Me What I Could
Never Ask of You: Consensual Non-Consent in BDSM and the Limits of
Affirmative Consent; PART II: Consent on Stage and Screen 6.'You Have No
Right to Do What You Like with Me': Rape, Sexual Abuse, and Consent in
African American Enslavement and its Afterlives 7. Without Consent or
Memory: Consent in Michaela Coel's I May Destroy You 8. Beyond 'Yes,
and...': Consent in the Theatre Arts Curriculum, On-stage and Off; PART
III: Lived Experience and (Authorial) Expressions 9. Re-establishing
Identity through Testimony: The Rape Survival Narratives of Mary Hays's The
Victim of Prejudice (1799) and Mary Wollstonecraft's Maria, or The Wrongs
of Woman (1798) 10. 'A Skin of One's Own': Decolonising Traumatic Testimony
and the Poetics of Wholeness 11. 'I wasn't aware at the time, I could
actually say "no"': Intimacy, Expectations, and Consent in Queer
Relationships; PART IV: Futures of Consent 12. Troubling Technologies for
Sexual Consent 13. Sexual Offences and Defined Consent: Lessons from the
Past and a Framework for the Future 14. Op-eds and Fashion Shows: The
History and Future of Consent Education in Ireland 15. Consent Wars?
Towards a Critical-Governmentality Approach to Consent in Post-Roe America
16. Afterword; Index
Table of Contents; List of Contributors; Acknowledgements; 1. Introduction;
PART I: Culture and Resistance 2. Could Briseis Consent? A Critical
Comparison of Contemporary Women Writers' Adaptations of Briseis's
Narrative 3. Stopping the Rapist in our Path: Resisting Rape Culture in
Latin American Music and Performance Art 4. Mera Jism, Meri Marzi: Crisis
of Consent and Digital Mediations in Pakistan 5. Do to Me What I Could
Never Ask of You: Consensual Non-Consent in BDSM and the Limits of
Affirmative Consent; PART II: Consent on Stage and Screen 6.'You Have No
Right to Do What You Like with Me': Rape, Sexual Abuse, and Consent in
African American Enslavement and its Afterlives 7. Without Consent or
Memory: Consent in Michaela Coel's I May Destroy You 8. Beyond 'Yes,
and...': Consent in the Theatre Arts Curriculum, On-stage and Off; PART
III: Lived Experience and (Authorial) Expressions 9. Re-establishing
Identity through Testimony: The Rape Survival Narratives of Mary Hays's The
Victim of Prejudice (1799) and Mary Wollstonecraft's Maria, or The Wrongs
of Woman (1798) 10. 'A Skin of One's Own': Decolonising Traumatic Testimony
and the Poetics of Wholeness 11. 'I wasn't aware at the time, I could
actually say "no"': Intimacy, Expectations, and Consent in Queer
Relationships; PART IV: Futures of Consent 12. Troubling Technologies for
Sexual Consent 13. Sexual Offences and Defined Consent: Lessons from the
Past and a Framework for the Future 14. Op-eds and Fashion Shows: The
History and Future of Consent Education in Ireland 15. Consent Wars?
Towards a Critical-Governmentality Approach to Consent in Post-Roe America
16. Afterword; Index
PART I: Culture and Resistance 2. Could Briseis Consent? A Critical
Comparison of Contemporary Women Writers' Adaptations of Briseis's
Narrative 3. Stopping the Rapist in our Path: Resisting Rape Culture in
Latin American Music and Performance Art 4. Mera Jism, Meri Marzi: Crisis
of Consent and Digital Mediations in Pakistan 5. Do to Me What I Could
Never Ask of You: Consensual Non-Consent in BDSM and the Limits of
Affirmative Consent; PART II: Consent on Stage and Screen 6.'You Have No
Right to Do What You Like with Me': Rape, Sexual Abuse, and Consent in
African American Enslavement and its Afterlives 7. Without Consent or
Memory: Consent in Michaela Coel's I May Destroy You 8. Beyond 'Yes,
and...': Consent in the Theatre Arts Curriculum, On-stage and Off; PART
III: Lived Experience and (Authorial) Expressions 9. Re-establishing
Identity through Testimony: The Rape Survival Narratives of Mary Hays's The
Victim of Prejudice (1799) and Mary Wollstonecraft's Maria, or The Wrongs
of Woman (1798) 10. 'A Skin of One's Own': Decolonising Traumatic Testimony
and the Poetics of Wholeness 11. 'I wasn't aware at the time, I could
actually say "no"': Intimacy, Expectations, and Consent in Queer
Relationships; PART IV: Futures of Consent 12. Troubling Technologies for
Sexual Consent 13. Sexual Offences and Defined Consent: Lessons from the
Past and a Framework for the Future 14. Op-eds and Fashion Shows: The
History and Future of Consent Education in Ireland 15. Consent Wars?
Towards a Critical-Governmentality Approach to Consent in Post-Roe America
16. Afterword; Index