Artists' oil paints have become increasingly complex and diverse in the 20th Century, applied by artists in a variety of ways. This has led to a number of issues that pose increasing difficulties to conservators and collection keepers. A deeper knowledge of the artists' intent as well as processes associated with material changes in paintings is important to conservation, which is almost always a compromise between material preservation and aesthetics. This volume represents 46 peer-reviewed papers presented at the Conference of Modern Oil Paints held in Amsterdam in 2018. The book contains…mehr
Artists' oil paints have become increasingly complex and diverse in the 20th Century, applied by artists in a variety of ways. This has led to a number of issues that pose increasing difficulties to conservators and collection keepers. A deeper knowledge of the artists' intent as well as processes associated with material changes in paintings is important to conservation, which is almost always a compromise between material preservation and aesthetics.
This volume represents 46 peer-reviewed papers presented at the Conference of Modern Oil Paints held in Amsterdam in 2018. The book contains a compilation of articles on oil paints and paintings in the 20th Century, partly presenting the outcome of the European JPI project 'Cleaning of Modern Oil Paints'. It is also a follow-up on 'Issues in Contemporary Oil Paint' (Springer, 2014).
The chapters cover a range of themes and topics such as: patents and paint manufacturing in the 20th Century; characterization of modern-contemporary oil paints and paint surfaces; artists' materials and techniques; the artists' voice and influence on perception of curators, conservators and scientists; model studies on paint degradation and long term stability; approaches to conservation of oil paintings; practical surface treatment and display.
The book will help conservators and curators recognise problems and interpret visual changes on paintings, which in turn give a more solid basis for decisions on the treatment of these paintings.
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Autorenporträt
Inhaltsangabe
Challenges in research: Connecting scientific analysis with conservation practice; A. Burnstock et al.- Evaluating cleaning systems for use on water sensitive modern oil paints: a comparative study; B. Ormsby et al.- Paint Technology.- Pigment Surface Treatments: 20th and 21st century industrial techniques and strategies for their detection; C. Salis Gomes et al.- Meet the future: the creation of new pigments; M. de Keijzer.- Zinc oxide in oil-based house paint: Insights from a paint chemist's notebook dated 1949; A. Carter et al.- A Glimpse into the House and Decorative Paint Market in Norway During World War I (1914-1918); B. Wedvik.- Approaches to the identification of Royal Talens' ETA (emulsion) paint in objects of art; L. van den Heuvel.- Synthetic organic pigments in Royal Talens oil paint 1920-1950 - The case of vermillion imit; R. Pause.- Case studies: artists techniques and materials; degradation; ethical considerations; treatment options.- Ellsworth Kelly: The Studio and Beyond; M.H. Gridley.- A new vocabulary of color: Bocour oil paints and Barnett Newman; C.E. Rogge, B.A. Epley.- Analysis of Modern Paints and Conservation at the Clyfford Still Museum; J Squires, P. Skiles.- Pigments of Soviet Artists in the 1950s - late 70s; I. Kadikova et al.- A View Through the Meander: A Study of Knifer's Oil Paintings from the 1960s; M. Pavic, M. Munivrana.- Preservation of Russian Abstract Art of the Second Part of the 20th Century; Anastasia V. Yurovetskaya et al.- Investigating colour changes in red and blue paints - a preliminary study of art materials and techniques in Edvard Munch's Old Man in Warnemünde (1907); J.S. Ferrer et al.- Aspects of Lovis Corinth's Painting Technique in his late Work: Working Process and Colour Structure captured in Paint and on Film; T. Krämer.- Oil paint straight from the tube: paint-specific deterioration in works by Alexis Mérodack-Jeaneau, 1910-1913; A. Grazyk et al.- Picasso 1917: Failure Mechanisms in the Paint Layers of Four Artworks; A. Vila et al.- Investigation on the speckles syndrome affecting late 1920s oil paintings by René Magritte; C. Defeyt et al.- Diagnosis and conservation process of major curled-up delaminated areas in a black oil painting from 1960 by Pierre Soulages; P. Hélou-de La Grandière.-Examination of paint delamination in C'est grace à nous by Asger Jorn; I.A. Tank Bronken.- A synchrotron photoluminescence microscopy study into the use and degradation of zinc white in The Woodcutters by Bart van der Leck; S. Hageraats et al.- 'Breaking waves'. The relation between zinc-oxide degradation in a ground layer and extreme delamination on Beach Scene, by J.E.H. Akkeringa (1861-1942); Alma Jongstra et al.- Efflorescence on the paintings of Edwin Austin Abbey: Examination, analysis, and cleaning of surface bloom on The Spirit of Light ; K. Wingel et al.- A Study of Softening and Liquefying Oil Paint on Womenizer by Alex Janvier; K. Helwig et al.- The Deterioration and Treatment of Some Late Paintings by Paul-Émile Borduas; M. O'Malley.- Colors before Zero: commercial alkyd-oil enamel paints in early reliefs by Jan J. Schoonhoven; L. Beerkens et al.- Some considerations when cleaning Robert Ryman's oil paint(ings); L. Steyn et al.- Challenges of Surface Cleaning Paintings by Asger Jorn (1914-1973): An Inventory of Existing Practice; J. Bierings et al.-Decision-making processes regarding the treatment of modern oil paintings (1950's - present) exhibiting paint dripping and oil exudates; J. de Groot et al.- Between rejection, ignorance, and preference: The history and dilemma of modern double-sided (recto/verso) paintings with regard to issues of conservation and presentation; U. Runeberg.- Model studies.- Novel microscopic strategy for the study of paint cross-sections; A. Artesani et al.- Investigations into the mechanical properties of commercial artists' oil paint by Dynamic Mechanical (Thermal) Analysis (DMA), Nanoindentation (UNHT), and Dynamic Vapour Sorption (DVS); C. Krarup Andersen et al.- A Preliminary Investigation into the Behavior of Modern Artists' Oil Paints in a Hot and Humid Climate; C. Grech et al.- Inside the forger's oven: identification of drying products in oil paints during and after accelerated drying with increased temperatures; D. Blumenroth et al.- The influence of metal stearates on the water sensitivity of modern oil paints; D. Banti et al.- The rate of solvent action on modern oil paint; S. Zumbühl.- Conservation treatment.- Water-sensitivity in modern oil paintings: Trends in phenomena and treatment options; M. Gillman et al.- Modern oil paintings in Tate's collection: a review of analytical findings and reflections on water sensitivity; J. Lee et al.- Analytical study to monitor the effectiveness of a combined liquid-dispensing and micro-aspiration system for the cleaning of modern oil paintings; A. Casoli et al.- Ketone resins varnishes on canvas paintings from the collection of the Munch Museum; E. Storevik-Tveit et al.- Designing mock-up paintings for a study of novel surface cleaning techniques for Munch's unvarnished Aula paintings; L. Porsmo Stoveland et al.- Analysis of cleaning efficacy and clearance of silicone-based Pickering-type emulsions used in the cleaning of water-miscible oil paints; J.M. Myers, M.Cushman.- Improving the surface cleaning of water sensitive oil paint by use of alternative application methods; M. Hintz et al.- Evolon® CR microfibre cloth as a tool for varnish removal; M. Vergeer et al.- Can Cellulosebeads save the Circling of the Planets? Cellulose-based consolidating filler to stabilise lifted brittle flakes on a large painting; K. Soppa et al.-
Challenges in research: Connecting scientific analysis with conservation practice; A. Burnstock et al.- Evaluating cleaning systems for use on water sensitive modern oil paints: a comparative study; B. Ormsby et al.- Paint Technology.- Pigment Surface Treatments: 20th and 21st century industrial techniques and strategies for their detection; C. Salis Gomes et al.- Meet the future: the creation of new pigments; M. de Keijzer.- Zinc oxide in oil-based house paint: Insights from a paint chemist's notebook dated 1949; A. Carter et al.- A Glimpse into the House and Decorative Paint Market in Norway During World War I (1914-1918); B. Wedvik.- Approaches to the identification of Royal Talens' ETA (emulsion) paint in objects of art; L. van den Heuvel.- Synthetic organic pigments in Royal Talens oil paint 1920-1950 - The case of vermillion imit; R. Pause.- Case studies: artists techniques and materials; degradation; ethical considerations; treatment options.- Ellsworth Kelly: The Studio and Beyond; M.H. Gridley.- A new vocabulary of color: Bocour oil paints and Barnett Newman; C.E. Rogge, B.A. Epley.- Analysis of Modern Paints and Conservation at the Clyfford Still Museum; J Squires, P. Skiles.- Pigments of Soviet Artists in the 1950s - late 70s; I. Kadikova et al.- A View Through the Meander: A Study of Knifer's Oil Paintings from the 1960s; M. Pavic, M. Munivrana.- Preservation of Russian Abstract Art of the Second Part of the 20th Century; Anastasia V. Yurovetskaya et al.- Investigating colour changes in red and blue paints - a preliminary study of art materials and techniques in Edvard Munch's Old Man in Warnemünde (1907); J.S. Ferrer et al.- Aspects of Lovis Corinth's Painting Technique in his late Work: Working Process and Colour Structure captured in Paint and on Film; T. Krämer.- Oil paint straight from the tube: paint-specific deterioration in works by Alexis Mérodack-Jeaneau, 1910-1913; A. Grazyk et al.- Picasso 1917: Failure Mechanisms in the Paint Layers of Four Artworks; A. Vila et al.- Investigation on the speckles syndrome affecting late 1920s oil paintings by René Magritte; C. Defeyt et al.- Diagnosis and conservation process of major curled-up delaminated areas in a black oil painting from 1960 by Pierre Soulages; P. Hélou-de La Grandière.-Examination of paint delamination in C'est grace à nous by Asger Jorn; I.A. Tank Bronken.- A synchrotron photoluminescence microscopy study into the use and degradation of zinc white in The Woodcutters by Bart van der Leck; S. Hageraats et al.- 'Breaking waves'. The relation between zinc-oxide degradation in a ground layer and extreme delamination on Beach Scene, by J.E.H. Akkeringa (1861-1942); Alma Jongstra et al.- Efflorescence on the paintings of Edwin Austin Abbey: Examination, analysis, and cleaning of surface bloom on The Spirit of Light ; K. Wingel et al.- A Study of Softening and Liquefying Oil Paint on Womenizer by Alex Janvier; K. Helwig et al.- The Deterioration and Treatment of Some Late Paintings by Paul-Émile Borduas; M. O'Malley.- Colors before Zero: commercial alkyd-oil enamel paints in early reliefs by Jan J. Schoonhoven; L. Beerkens et al.- Some considerations when cleaning Robert Ryman's oil paint(ings); L. Steyn et al.- Challenges of Surface Cleaning Paintings by Asger Jorn (1914-1973): An Inventory of Existing Practice; J. Bierings et al.-Decision-making processes regarding the treatment of modern oil paintings (1950's - present) exhibiting paint dripping and oil exudates; J. de Groot et al.- Between rejection, ignorance, and preference: The history and dilemma of modern double-sided (recto/verso) paintings with regard to issues of conservation and presentation; U. Runeberg.- Model studies.- Novel microscopic strategy for the study of paint cross-sections; A. Artesani et al.- Investigations into the mechanical properties of commercial artists' oil paint by Dynamic Mechanical (Thermal) Analysis (DMA), Nanoindentation (UNHT), and Dynamic Vapour Sorption (DVS); C. Krarup Andersen et al.- A Preliminary Investigation into the Behavior of Modern Artists' Oil Paints in a Hot and Humid Climate; C. Grech et al.- Inside the forger's oven: identification of drying products in oil paints during and after accelerated drying with increased temperatures; D. Blumenroth et al.- The influence of metal stearates on the water sensitivity of modern oil paints; D. Banti et al.- The rate of solvent action on modern oil paint; S. Zumbühl.- Conservation treatment.- Water-sensitivity in modern oil paintings: Trends in phenomena and treatment options; M. Gillman et al.- Modern oil paintings in Tate's collection: a review of analytical findings and reflections on water sensitivity; J. Lee et al.- Analytical study to monitor the effectiveness of a combined liquid-dispensing and micro-aspiration system for the cleaning of modern oil paintings; A. Casoli et al.- Ketone resins varnishes on canvas paintings from the collection of the Munch Museum; E. Storevik-Tveit et al.- Designing mock-up paintings for a study of novel surface cleaning techniques for Munch's unvarnished Aula paintings; L. Porsmo Stoveland et al.- Analysis of cleaning efficacy and clearance of silicone-based Pickering-type emulsions used in the cleaning of water-miscible oil paints; J.M. Myers, M.Cushman.- Improving the surface cleaning of water sensitive oil paint by use of alternative application methods; M. Hintz et al.- Evolon® CR microfibre cloth as a tool for varnish removal; M. Vergeer et al.- Can Cellulosebeads save the Circling of the Planets? Cellulose-based consolidating filler to stabilise lifted brittle flakes on a large painting; K. Soppa et al.-
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