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The aim of this book is to show how to construct a jazz solo from a chord progression. As such, it is not really a manual on how to improvise ; rather, it is more like constructing or composing a jazz melody. Nevertheless, the method given here has a couple of things in its favour. One is that it is a five-step add water approach that is, it doesn t require any particular jazz talent to achieve a reasonable result. As such, it may be useful for those who have some knowledge of music, but little experience in jazz improvisation. The second is that, while working out solos isn t really…mehr

Produktbeschreibung
The aim of this book is to show how to construct a jazz solo from a chord progression. As such, it is not really a manual on how to improvise ; rather, it is more like constructing or composing a jazz melody. Nevertheless, the method given here has a couple of things in its favour. One is that it is a five-step add water approach that is, it doesn t require any particular jazz talent to achieve a reasonable result. As such, it may be useful for those who have some knowledge of music, but little experience in jazz improvisation. The second is that, while working out solos isn t really improvising, the basic techniques given here should stand in good stead. With practice, these techniques will eventually become second nature and faster to recall when improvising. Ultimately, the improviser will abandon the step-by-step approach and internalise the material holistically.
Autorenporträt
Michael Barkl (PhD, DCA) é um compositor australiano nascido em Sydney. As suas obras, que investigam a interacção de materiais modernistas e populares, foram interpretadas por Michael Kieran Harvey, Sally Mays, James Wishart, Elision, Synergy, Charisma, The Ensemble InterContemporain e as Orquestras Sinfónicas de Adelaide, Tasmanian e Western Australian Symphony.