Through short, provocative readings of unfamiliar plays, this book provides the first ever history of the canon of Renaissance drama.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jeremy Lopez is Associate Professor of English at the University of Toronto. He is the author of Theatrical Convention and Audience Response in Early Modern Drama (2003), the editor of New Critical Essays: Richard II (2012) and has written numerous articles on the drama of Shakespeare and his contemporaries. From 2003 to 2013 he served as theatre review editor for Shakespeare Bulletin, and he is currently, with Paul Menzer (Mary Baldwin College), editor of the on-line early modern studies journal The Hare.
Inhaltsangabe
Part I. Early Modern Dramatic Canons: Origins: 1. Excluding Shakespeare 2. Trollope's Dilke 3. What is an anthology? (Part 1) 4. Collecting early modern drama, 1744 to the present 5. Ejecta 6. How to use this book 7. Table of contents 8. Autogenesis: The Custom of The Country (Part 1) 9. Endless tragedy 10. Negative canon Attachments: 11. Lamb in the library 12. Dodsley's Hog 13. Blunt instrument 14. Fragments 15. Comedy and tragedy 16. The Mermaid series 17. The Keltie exception 18. The ties that bind: The Custom of The Country (Part 2) 19. Hints of designs 20. What is an anthology? (Part 2) Paradoxes: 21. Introductory 22. Bullen's Nero 23. Collier's Reed's Dodsley 24. Beaumont our contemporary 25. History in disguise 26. The aesthetic under erasure 27. The turn of the corkscrew 28. Return of the repressed: The Custom of The Country (Part 3) 29. The Changeling 30. The greatness of English Renaissance drama Interlude: reading a bad play: The Fair Maid of Bristow Part II. Early Modern Dramatic Forms: Bifurcation: 31. The Bowers Dekker 32. Fletcher's Shakespeare 33. Early modern dramatic form 34. The Bloody Brother 35. Early modern dramatic forms 36. What is an anthology? (Part 3) 37. Apples and oranges 38. The sleepwalker: Northward Ho (Part 1) 39. The war in The Shoemaker's Holiday 40. The Holaday Chapman Opposition: 41. Laws of canon 42. Rowley's sow 43. Form in collaboration 44. Love's Labors Won 45. 'A sort of dramatic monster' 46. What should an anthology be? 47. The surviving image 48. Other voices: Northward Ho (Part 2) 49. Disappearing act 50. Anon., anon Inheritance: 51. Voluminous Heywood 52. Ford's Webster 53. Labored forms 54. The Triumph of Time 55. Moral Massinger 56. No heir 57. Apocalypse now 58. Bedlam at Ware: Northward Ho (Part 3) 59. Modern times 60. Principles of selection and exclusion Afterword List of primary-text editions Bibliography.
Part I. Early Modern Dramatic Canons: Origins: 1. Excluding Shakespeare 2. Trollope's Dilke 3. What is an anthology? (Part 1) 4. Collecting early modern drama, 1744 to the present 5. Ejecta 6. How to use this book 7. Table of contents 8. Autogenesis: The Custom of The Country (Part 1) 9. Endless tragedy 10. Negative canon Attachments: 11. Lamb in the library 12. Dodsley's Hog 13. Blunt instrument 14. Fragments 15. Comedy and tragedy 16. The Mermaid series 17. The Keltie exception 18. The ties that bind: The Custom of The Country (Part 2) 19. Hints of designs 20. What is an anthology? (Part 2) Paradoxes: 21. Introductory 22. Bullen's Nero 23. Collier's Reed's Dodsley 24. Beaumont our contemporary 25. History in disguise 26. The aesthetic under erasure 27. The turn of the corkscrew 28. Return of the repressed: The Custom of The Country (Part 3) 29. The Changeling 30. The greatness of English Renaissance drama Interlude: reading a bad play: The Fair Maid of Bristow Part II. Early Modern Dramatic Forms: Bifurcation: 31. The Bowers Dekker 32. Fletcher's Shakespeare 33. Early modern dramatic form 34. The Bloody Brother 35. Early modern dramatic forms 36. What is an anthology? (Part 3) 37. Apples and oranges 38. The sleepwalker: Northward Ho (Part 1) 39. The war in The Shoemaker's Holiday 40. The Holaday Chapman Opposition: 41. Laws of canon 42. Rowley's sow 43. Form in collaboration 44. Love's Labors Won 45. 'A sort of dramatic monster' 46. What should an anthology be? 47. The surviving image 48. Other voices: Northward Ho (Part 2) 49. Disappearing act 50. Anon., anon Inheritance: 51. Voluminous Heywood 52. Ford's Webster 53. Labored forms 54. The Triumph of Time 55. Moral Massinger 56. No heir 57. Apocalypse now 58. Bedlam at Ware: Northward Ho (Part 3) 59. Modern times 60. Principles of selection and exclusion Afterword List of primary-text editions Bibliography.
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