This book combines recent developments in cognitive film theory, genre studies, and adaptation theory to isolate the ways in which the Coens encourage spectators to participate in the ongoing construction of their movies.
This book combines recent developments in cognitive film theory, genre studies, and adaptation theory to isolate the ways in which the Coens encourage spectators to participate in the ongoing construction of their movies.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Allen H. Redmon coordinates and teaches classes in interdisciplinary film studies at Texas A&M University Central Texas. He has published articles in The Journal of Popular Film, Literature/Film Quarterly, Bright Lights Film Journal, The Journal of Religion and Film, Studies in French Cinema, and Journal of American Culture.
Inhaltsangabe
Acknowledgments Introduction Chapter 1 "It's a Problem of...Perception": Identifying the Coens' Constructivist Sensibility Chapter 2 "You Don't Want to be Tried and Found Wantin'": Triggering the Ongoing Adaptation of the The Ladykillers Chapter 3 "I Will Destroy Him": Negotiating the Image in Barton Fink and Raising Arizona Chapter 4 That Gag's Got Whiskers on it": Achieving Narrative Coherence in The Hudsucker Proxy and The Man Who Wasn't There Chapter 5 "The Coin Don't Have No Say": Examining Intertextuality in The Hudsucker Proxy, Intolerable Cruelty, and No Country for Old Men Chapter 6 "A Lotta Ins, a Lotta Outs": Interweaving Genres in The Big Lebowski and O Brother, Where Art Thou? Chapter 7 "Appearances Can Be Deceptive": Investigating Sexuality in O Brother, Where Art Thou?, Intolerable Cruelty, and Burn After Reading Chapter 8 "I Haven't Done Anything Funny": Scrutinizing Gender in the Coens' Arrangements of a Bunch of Men around One Woman Chapter 9 "Accept the Mystery": Resisting Final Construction and A Serious Man Conclusion Bibliography Index About the Author
Acknowledgments Introduction Chapter 1 "It's a Problem of...Perception": Identifying the Coens' Constructivist Sensibility Chapter 2 "You Don't Want to be Tried and Found Wantin'": Triggering the Ongoing Adaptation of the The Ladykillers Chapter 3 "I Will Destroy Him": Negotiating the Image in Barton Fink and Raising Arizona Chapter 4 That Gag's Got Whiskers on it": Achieving Narrative Coherence in The Hudsucker Proxy and The Man Who Wasn't There Chapter 5 "The Coin Don't Have No Say": Examining Intertextuality in The Hudsucker Proxy, Intolerable Cruelty, and No Country for Old Men Chapter 6 "A Lotta Ins, a Lotta Outs": Interweaving Genres in The Big Lebowski and O Brother, Where Art Thou? Chapter 7 "Appearances Can Be Deceptive": Investigating Sexuality in O Brother, Where Art Thou?, Intolerable Cruelty, and Burn After Reading Chapter 8 "I Haven't Done Anything Funny": Scrutinizing Gender in the Coens' Arrangements of a Bunch of Men around One Woman Chapter 9 "Accept the Mystery": Resisting Final Construction and A Serious Man Conclusion Bibliography Index About the Author
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