This collection of nine essays investigates the consumption of music during the long eighteenth century, providing insights into the activities of composers, performers, patrons, publishers, theorists, impresarios, and critics.
This collection of nine essays investigates the consumption of music during the long eighteenth century, providing insights into the activities of composers, performers, patrons, publishers, theorists, impresarios, and critics.
Introduction Music's First Consumers: Publishers in the Late Eighteenth Century Inside a Viennese Kunsthandlung: Artaria in 1784 Morality and the "Fair-Sexing" of Telemann's Faithful Music Master Eighteenth-Century Mediations of Music Theory: Meter, Tempo, and Affect in Print Musical Style as Commercial Strategy in Romantic Chamber Music In Vienna "Only Waltzes Get Printed": The Decline and Transformation of the Contredanse Hongroise in the Early Nineteenth Century The Power to Please: Gender and Celebrity Self-Commodification in the Early American Republic Exchanging Ideas in a Changing World: Adolph Bernhard Marx and the Berliner allgemeine musikalische Zeitung in 1824 Parisian Opera between Commons and Commodity, ca. 1830 Contributors Index
Introduction Music's First Consumers: Publishers in the Late Eighteenth Century Inside a Viennese Kunsthandlung: Artaria in 1784 Morality and the "Fair-Sexing" of Telemann's Faithful Music Master Eighteenth-Century Mediations of Music Theory: Meter, Tempo, and Affect in Print Musical Style as Commercial Strategy in Romantic Chamber Music In Vienna "Only Waltzes Get Printed": The Decline and Transformation of the Contredanse Hongroise in the Early Nineteenth Century The Power to Please: Gender and Celebrity Self-Commodification in the Early American Republic Exchanging Ideas in a Changing World: Adolph Bernhard Marx and the Berliner allgemeine musikalische Zeitung in 1824 Parisian Opera between Commons and Commodity, ca. 1830 Contributors Index
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