This book reflects on the motivations of creative practitioners who have moved out of cities from the mid-1960s onwards to establish creative homesteads.
This book reflects on the motivations of creative practitioners who have moved out of cities from the mid-1960s onwards to establish creative homesteads.
Sarah Lowndes is a writer and curator who lectures at Glasgow School of Art and other institutions
Inhaltsangabe
Contents List of Figures Preface Acknowledgments PART I Introduction 1 The Back to the Land Movement: from the 1840s to the 1970s PART II The Creative Homesteads of Agnes Martin, Derek Jarman and Chris Burden 2 We are Born as Nouns Not Verbs: Agnes Martin and the New Mexico Desert (1968-2004) 3 Vaster than Empires and More Slow: Derek Jarman and Prospect Cottage, Dungeness, Kent (1987-1994 4 In a Free Spot: Chris Burden and Topanga Canyon, California (1984-2015) PART III The Rise of the Town-Country: Contemporary Creative Homesteaders 5 The Lure of the Midsize Metro: Leipzig 6 Neither City nor Country: Hastings 7 In the ruins, a garden: Detroit Conclusion Index
Contents List of Figures Preface Acknowledgments PART I Introduction 1 The Back to the Land Movement: from the 1840s to the 1970s PART II The Creative Homesteads of Agnes Martin, Derek Jarman and Chris Burden 2 We are Born as Nouns Not Verbs: Agnes Martin and the New Mexico Desert (1968-2004) 3 Vaster than Empires and More Slow: Derek Jarman and Prospect Cottage, Dungeness, Kent (1987-1994 4 In a Free Spot: Chris Burden and Topanga Canyon, California (1984-2015) PART III The Rise of the Town-Country: Contemporary Creative Homesteaders 5 The Lure of the Midsize Metro: Leipzig 6 Neither City nor Country: Hastings 7 In the ruins, a garden: Detroit Conclusion Index
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