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The unique analysis of art house alongside discussion of commercialfilms from the African continent and the African diaspora presentedhere offer a fresh perspective on viewers' experiences thathighlights aesthetic and political issues.
Analyzing art house films from the African continent and theAfrican diaspora, this book showcases a new generation of auteurswith African origins from political, aesthetic, and spectatorshipperspectives.
Focuses on art house cinema and discusses commercial Africancinema Enlarges our understanding of African film to include thematicand aesthetic influence
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Produktbeschreibung
The unique analysis of art house alongside discussion of commercialfilms from the African continent and the African diaspora presentedhere offer a fresh perspective on viewers' experiences thathighlights aesthetic and political issues.
Analyzing art house films from the African continent and theAfrican diaspora, this book showcases a new generation of auteurswith African origins from political, aesthetic, and spectatorshipperspectives.

Focuses on art house cinema and discusses commercial Africancinema
Enlarges our understanding of African film to include thematicand aesthetic influence
Highlights aesthetic and political aspects including racialidentity, women's issues, and diaspora
Heavily illustrated with over 90 film stills
Features selected stills integral to the filmic analysis infull color
Moves beyond Western-oriented analytical paradigms
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Autorenporträt
Anjali Prabhu is Professor of French and Francophone Studies at Wellesley College, USA, where she also teaches in the Cinema and Media Studies Program. The author of Hybridity: Limits, Transformations, Prospects (2007), she has published widely in journals such as Cinema Journal, International Journal of French and Francophone Studies, Levinas Studies, Journal of French and Francophone Philosophy, Diacritics, Studies in Twentieth and Twenty-first Century Literatures, Présence Francophone, and Comparative Literature Studies.