Contemporary Irish Theatre - McIvor, Charlotte;Walsh, Ian R.
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This open access book is a new survey of theatre practices in Ireland from 1957 to the present. Part I: Histories, situates the theatrical activity of twentieth and twenty-first century Ireland within its social and political contexts, identifies key practitioners, landmark productions, institutions, festivals, and seminal revivals. Part II: Theories, offers five key theoretical frameworks - nation, language, body, space and interculturalism - to examine contemporary Irish theatre practices. Contemporary Irish Theatre and Performance ultimately offers a more extensive story of contemporary…mehr

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Produktbeschreibung
This open access book is a new survey of theatre practices in Ireland from 1957 to the present. Part I: Histories, situates the theatrical activity of twentieth and twenty-first century Ireland within its social and political contexts, identifies key practitioners, landmark productions, institutions, festivals, and seminal revivals. Part II: Theories, offers five key theoretical frameworks - nation, language, body, space and interculturalism - to examine contemporary Irish theatre practices. Contemporary Irish Theatre and Performance ultimately offers a more extensive story of contemporary Irish theatre documenting the diversity of practices and contributors that have populated the contemporary Irish theatre landscape since 1957.

Autorenporträt
Ian R. Walsh is a Lecturer in Drama and Theatre Studies at University of Galway, Ireland. Previous books and edited collections include Experimental Irish Theatre: After W.B Yeats (Palgrave Macmillan, 2012), The Theatre of Enda Walsh (2016), and Cultural Convergence: The Dublin Gate Theatre, 1928-1960 (Palgrave Macmillan, 2021). Charlotte McIvor is a Senior Lecturer in Drama and Theatre Studies at University of Galway, Ireland. Most recent books and edited collections include Migration and Performance in Contemporary Ireland: Towards A New Interculturalism (Palgrave Macmillan, 2016), The Methuen Companion to Interculturalism and Performance (2021), and Interculturalism and Performance Now: New Directions? (Palgrave Macmillan, 2019).