This collection presents the very best of recent Marxist literary criticism in one volume. An international group of contributors provides an introduction to the development, current trends and evolution of the subject. They include such notable Marxist critics as Tony Bennett, Terry Eagleton, Edward W Said, Raymond Williams and Fredric Jameson, and they deal with subjects as diverse as James Bond, Brecht, Jane Austen and the modern history of the aesthetic.
This collection presents the very best of recent Marxist literary criticism in one volume. An international group of contributors provides an introduction to the development, current trends and evolution of the subject. They include such notable Marxist critics as Tony Bennett, Terry Eagleton, Edward W Said, Raymond Williams and Fredric Jameson, and they deal with subjects as diverse as James Bond, Brecht, Jane Austen and the modern history of the aesthetic.
Introduction Chapter 1 On Literature as an Ideological Form, Etienne Balibar, Pierre Macherey Chapter 2 Free Particulars, Terry Eagleton Chapter 3 Pandora's Box, Cora Kaplan Chapter 4 Jane Austen and Empire, Edward W. Said Chapter 5 The Moment of Truth, Franco Moretti Chapter 6 The Bloomsbury Fraction, Raymond Williams Chapter 7 Theory of the Avant-garde and Critical Literary Science, Peter Bürger Chapter 8 Beyond the Cave, Fredric Jameson Chapter 9 Marxism and Popular Fiction, Tony Bennett Chapter 10 Licensed to Look, Michael Denning Chapter 11 Lessons from Brecht, Stephen Heath
Introduction Chapter 1 On Literature as an Ideological Form, Etienne Balibar, Pierre Macherey Chapter 2 Free Particulars, Terry Eagleton Chapter 3 Pandora's Box, Cora Kaplan Chapter 4 Jane Austen and Empire, Edward W. Said Chapter 5 The Moment of Truth, Franco Moretti Chapter 6 The Bloomsbury Fraction, Raymond Williams Chapter 7 Theory of the Avant-garde and Critical Literary Science, Peter Bürger Chapter 8 Beyond the Cave, Fredric Jameson Chapter 9 Marxism and Popular Fiction, Tony Bennett Chapter 10 Licensed to Look, Michael Denning Chapter 11 Lessons from Brecht, Stephen Heath
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