Rethinking translation for the contemporary international stage, Jean Graham-Jones argues for a radical new approach incorporating dramaturgical logic and staging, actor training and performance styles, gesture and embodiment, and aesthetics and reception, drawing upon her own extensive experience as translator, actor, director, and scholar.
Rethinking translation for the contemporary international stage, Jean Graham-Jones argues for a radical new approach incorporating dramaturgical logic and staging, actor training and performance styles, gesture and embodiment, and aesthetics and reception, drawing upon her own extensive experience as translator, actor, director, and scholar.
Jean Graham-Jones is Lucille Lortel Professor of Theatre at the City University of New York's Graduate Center. A theatre artist and scholar, she has translated into English some two dozen plays by Argentinian artists (in five edited collections) and published widely on Latin American (especially Argentinian) theatre and performance.
Inhaltsangabe
Introduction: translationality and the impossible necessity of contemporary performance translation 1. Translationality in performance 2. The over-translated, the under-translated, the untranslatable, and the limits of performance translation 3. Translationality and the 'Atypical Actor' in performance 4. Translationality and the decolonial gesture in performance Conclusion: The Translator as Coyote-Scholar / Teacher / Artist, Translationally Bibliography Index.
Introduction: translationality and the impossible necessity of contemporary performance translation 1. Translationality in performance 2. The over-translated, the under-translated, the untranslatable, and the limits of performance translation 3. Translationality and the 'Atypical Actor' in performance 4. Translationality and the decolonial gesture in performance Conclusion: The Translator as Coyote-Scholar / Teacher / Artist, Translationally Bibliography Index.
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