Contemporary Practice in Studio Art Therapy
Herausgeber: Brown, Christopher; Omand, Helen
Contemporary Practice in Studio Art Therapy
Herausgeber: Brown, Christopher; Omand, Helen
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Contemporary Practice in Studio Art Therapy discovers where studio practice stands in the profession today and reflects on how changing social, political and economic contexts have influenced its ethos and development.
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Contemporary Practice in Studio Art Therapy discovers where studio practice stands in the profession today and reflects on how changing social, political and economic contexts have influenced its ethos and development.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 248
- Erscheinungstermin: 24. März 2022
- Englisch
- Abmessung: 232mm x 153mm x 14mm
- Gewicht: 394g
- ISBN-13: 9780367558925
- ISBN-10: 0367558920
- Artikelnr.: 62572810
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 248
- Erscheinungstermin: 24. März 2022
- Englisch
- Abmessung: 232mm x 153mm x 14mm
- Gewicht: 394g
- ISBN-13: 9780367558925
- ISBN-10: 0367558920
- Artikelnr.: 62572810
Christopher Brown is an artist and art therapist currently in private practice after retiring from careers in mental health and higher education. Helen Omand is an artist and art therapist working in a therapeutic studio and as a lecturer at Goldsmiths, University of London.
Foreword: Tessa Dalley; Introduction
Christopher Brown & Helen Omand; PART I: FRAMES OF REFERENCE; 1. Historical perspectives
Christopher Brown & Helen Omand; 2. Literature review
Helen Omand & Dalaila Bumanglag; 3. How might studios help? Further thoughts on the significance of studios
Chris Wood; 4. The influential idea of the studio in the thinking and practice of U.S. art therapists
Lynn Kapitan; 5. Studio Upstairs: a working arts studio with a therapeutic concern - beginnings
Claire Manson
Douglas Gill
David Fried; 6. Art therapy in an art school: learning through studio practice
Philippa Brown; 7. Studio encounters: a personal view of shifting frames in art therapy
Christopher Brown; PART II: MODELS OF PRACTICE; 8. The Community Table: developing art therapy studios on
in-between and across borders
Bobby Lloyd & Miriam Usiskin; 9. Transitioning into visibility: exhibiting art from a therapeutic group for the intended purpose of knowledge sharing
education
social action and social change in the northern Canadian community
Zoe Armstrong; 10. The wall inside: painting with young offenders
Ben Wakeling; 11. Inside-outside: on being art focussed
Steve Pratt; 12. Making art alongside each other in a therapeutic art studio: exploring the space between us
Helen Omand and Patsy McMahon; 13. Terms of engagement: aspects of facilitating open art therapy groups for adults in a psychiatric inpatient setting
Annamaria Cavaliero; 14. Family residential art therapy studio model: in discussion with a parent and member of the open-studio group
Kristen Catchpole; PART III: CURATING
EXHIBITING
AND ARCHIVING; 15. Looking at the curation of art made by older adults in a median art therapy group
Kristina Page; 16. Exploring experiences of exhibiting artwork from a therapeutic art studio for refugees and asylum seekers
Jon Martyn;17. Private to public: exhibition in art therapy
Mary Andrus; 18. Making space: art
the studio
and exhibition in homelessness services
Simon Richardson; 19. Reliquary for the departed: archiving and collections
Christopher Brown & Helen Omand
Christopher Brown & Helen Omand; PART I: FRAMES OF REFERENCE; 1. Historical perspectives
Christopher Brown & Helen Omand; 2. Literature review
Helen Omand & Dalaila Bumanglag; 3. How might studios help? Further thoughts on the significance of studios
Chris Wood; 4. The influential idea of the studio in the thinking and practice of U.S. art therapists
Lynn Kapitan; 5. Studio Upstairs: a working arts studio with a therapeutic concern - beginnings
Claire Manson
Douglas Gill
David Fried; 6. Art therapy in an art school: learning through studio practice
Philippa Brown; 7. Studio encounters: a personal view of shifting frames in art therapy
Christopher Brown; PART II: MODELS OF PRACTICE; 8. The Community Table: developing art therapy studios on
in-between and across borders
Bobby Lloyd & Miriam Usiskin; 9. Transitioning into visibility: exhibiting art from a therapeutic group for the intended purpose of knowledge sharing
education
social action and social change in the northern Canadian community
Zoe Armstrong; 10. The wall inside: painting with young offenders
Ben Wakeling; 11. Inside-outside: on being art focussed
Steve Pratt; 12. Making art alongside each other in a therapeutic art studio: exploring the space between us
Helen Omand and Patsy McMahon; 13. Terms of engagement: aspects of facilitating open art therapy groups for adults in a psychiatric inpatient setting
Annamaria Cavaliero; 14. Family residential art therapy studio model: in discussion with a parent and member of the open-studio group
Kristen Catchpole; PART III: CURATING
EXHIBITING
AND ARCHIVING; 15. Looking at the curation of art made by older adults in a median art therapy group
Kristina Page; 16. Exploring experiences of exhibiting artwork from a therapeutic art studio for refugees and asylum seekers
Jon Martyn;17. Private to public: exhibition in art therapy
Mary Andrus; 18. Making space: art
the studio
and exhibition in homelessness services
Simon Richardson; 19. Reliquary for the departed: archiving and collections
Christopher Brown & Helen Omand
Foreword: Tessa Dalley; Introduction
Christopher Brown & Helen Omand; PART I: FRAMES OF REFERENCE; 1. Historical perspectives
Christopher Brown & Helen Omand; 2. Literature review
Helen Omand & Dalaila Bumanglag; 3. How might studios help? Further thoughts on the significance of studios
Chris Wood; 4. The influential idea of the studio in the thinking and practice of U.S. art therapists
Lynn Kapitan; 5. Studio Upstairs: a working arts studio with a therapeutic concern - beginnings
Claire Manson
Douglas Gill
David Fried; 6. Art therapy in an art school: learning through studio practice
Philippa Brown; 7. Studio encounters: a personal view of shifting frames in art therapy
Christopher Brown; PART II: MODELS OF PRACTICE; 8. The Community Table: developing art therapy studios on
in-between and across borders
Bobby Lloyd & Miriam Usiskin; 9. Transitioning into visibility: exhibiting art from a therapeutic group for the intended purpose of knowledge sharing
education
social action and social change in the northern Canadian community
Zoe Armstrong; 10. The wall inside: painting with young offenders
Ben Wakeling; 11. Inside-outside: on being art focussed
Steve Pratt; 12. Making art alongside each other in a therapeutic art studio: exploring the space between us
Helen Omand and Patsy McMahon; 13. Terms of engagement: aspects of facilitating open art therapy groups for adults in a psychiatric inpatient setting
Annamaria Cavaliero; 14. Family residential art therapy studio model: in discussion with a parent and member of the open-studio group
Kristen Catchpole; PART III: CURATING
EXHIBITING
AND ARCHIVING; 15. Looking at the curation of art made by older adults in a median art therapy group
Kristina Page; 16. Exploring experiences of exhibiting artwork from a therapeutic art studio for refugees and asylum seekers
Jon Martyn;17. Private to public: exhibition in art therapy
Mary Andrus; 18. Making space: art
the studio
and exhibition in homelessness services
Simon Richardson; 19. Reliquary for the departed: archiving and collections
Christopher Brown & Helen Omand
Christopher Brown & Helen Omand; PART I: FRAMES OF REFERENCE; 1. Historical perspectives
Christopher Brown & Helen Omand; 2. Literature review
Helen Omand & Dalaila Bumanglag; 3. How might studios help? Further thoughts on the significance of studios
Chris Wood; 4. The influential idea of the studio in the thinking and practice of U.S. art therapists
Lynn Kapitan; 5. Studio Upstairs: a working arts studio with a therapeutic concern - beginnings
Claire Manson
Douglas Gill
David Fried; 6. Art therapy in an art school: learning through studio practice
Philippa Brown; 7. Studio encounters: a personal view of shifting frames in art therapy
Christopher Brown; PART II: MODELS OF PRACTICE; 8. The Community Table: developing art therapy studios on
in-between and across borders
Bobby Lloyd & Miriam Usiskin; 9. Transitioning into visibility: exhibiting art from a therapeutic group for the intended purpose of knowledge sharing
education
social action and social change in the northern Canadian community
Zoe Armstrong; 10. The wall inside: painting with young offenders
Ben Wakeling; 11. Inside-outside: on being art focussed
Steve Pratt; 12. Making art alongside each other in a therapeutic art studio: exploring the space between us
Helen Omand and Patsy McMahon; 13. Terms of engagement: aspects of facilitating open art therapy groups for adults in a psychiatric inpatient setting
Annamaria Cavaliero; 14. Family residential art therapy studio model: in discussion with a parent and member of the open-studio group
Kristen Catchpole; PART III: CURATING
EXHIBITING
AND ARCHIVING; 15. Looking at the curation of art made by older adults in a median art therapy group
Kristina Page; 16. Exploring experiences of exhibiting artwork from a therapeutic art studio for refugees and asylum seekers
Jon Martyn;17. Private to public: exhibition in art therapy
Mary Andrus; 18. Making space: art
the studio
and exhibition in homelessness services
Simon Richardson; 19. Reliquary for the departed: archiving and collections
Christopher Brown & Helen Omand