Stephe Harrop

Contemporary Storytelling Performance

Female Artists on Practices, Platforms, Presences

• Gebundenes Buch

Produktbeschreibung

This book focuses on a rising generation of female storytellers, analysing their innovation in interdisciplinary collaboration, and their creation of new multimedia platforms for story-led performance.

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Produktdetails

• Routledge Advances in Theatre & Performance Studies
• Verlag: Taylor & Francis Ltd
• Seitenzahl: 260
• Erscheinungstermin: 4. August 2023
• Englisch
• Abmessung: 240mm x 161mm x 19mm
• Gewicht: 498g
• ISBN-13: 9780367698669
• ISBN-10: 0367698668
• Artikelnr.: 67823140

Autorenporträt

Stephe Harrop is Associate Professor of Drama at Liverpool Hope University. She is also a contemporary storyteller, creating and touring work across the UK and beyond.

Inhaltsangabe

List of Figures
List of Interviews
Acknowledgements
Introduction
0.1 Storytelling as Professional Performance
0.2 Female Artists as Storytellers
0.3 Talking to Storytellers
0.4 Storytelling Presences
Chapter 1 - Storytelling Presences
1.1 Sarah Rundle, The Poorest Hee (2013)
1.2 Clare Murphy, The Nine Muses of Queen's Crescent (2022)
1.3 Jo Blake, Blodeuwedd Untold (2018)
1.4 Summary: Contemporary Presences
Chapter 2 - Storytelling Authorship
2.1 Alys Torrance, Up Endings! (2021)
2.2 Rachel Rose Reid, Silence (2018)
2.3 Mara Menzies, Blood and Gold (2019)
2.4 Summary: Authoring Storytelling Performances
Chapter 3 - Devising Storytelling
3.1 Sarah Liisa Wilkinson, The Girl and The Snake Witch (2018)
3.2 Alys Torrance, Stoopid (2019)
3.3 Debs Newbold, Outrageous Fortune (2020)
3.4 Summary: Devising New Storytellings
Chapter 4 - Aural Storytelling
4.1 Sarah Liisa Wilkinson, The Devil's Violin (2019)
4.2 Laura Sampson, Three-Crossing River (2022)
4.3 Debs Newbold, Lost in Blue (2022)
4.4 Summary: Aurality and Story Performance
Chapter 5 - Sites of Storytelling
5.1 Tamar Eluned Williams, Pathways/Llwybrau (2020)
5.2 Vanessa Woolf, Trees (2021) and Ghosts of the Thames (2020)
5.3 Tim Ralphs and Sarah Liisa Wilkinson, The Game of Seven Candles (2021)
5.4 Summary: Sites of Storytelling
Chapter 6 - Story-Performance in New Media
6.1 Mara Menzies, The Giver of Joy (2021)
6.2 Jo Blake, What Do You See With Your Eye to the Keyhole? (2020)
6.3 Xanthe Gresham-Knight, Kitchen Goddess (2020)
6.4 Summary: Story, Media, and Emergent Spaces
Chapter 7 - Story-Performance and Social Practice
7.1 Rachel Rose Reid, Sofa Story Club (2020)
7.2 Xanthe Gresham-Knight, Goddess Lounge (2020-21)
7.3 Pyn Stockman, Tell It To The Bees (2022)
7.4 Summary: Making Social Rituals
Chapter 8 - Storytelling and Slam
8.1 Clare Murphy, Myth Off (2011)
8.2 Lucy Lill & Alys Torrance, Women Who Gave No F**ks (2019)
8.3 Summary: Story, Slam, and Inventing Traditions
Conclusion
9.1 Sally Pomme Clayton, The Frog Princess Punked (2019)
9.2 Contemporary Storytelling Performance
Index