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Contemporary Stylistics introduces the theoretical principles and practical frameworks of stylistics and cognitive poetics, supplying the practical skills to analyse your own responses to literary texts.
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Contemporary Stylistics introduces the theoretical principles and practical frameworks of stylistics and cognitive poetics, supplying the practical skills to analyse your own responses to literary texts.
Produktdetails
- Produktdetails
- Edinburgh Textbooks on the English Language - Advanced
- Verlag: Edinburgh University Press
- Seitenzahl: 288
- Erscheinungstermin: 28. Februar 2018
- Englisch
- Abmessung: 216mm x 139mm x 27mm
- Gewicht: 510g
- ISBN-13: 9780748682775
- ISBN-10: 0748682775
- Artikelnr.: 48812949
- Edinburgh Textbooks on the English Language - Advanced
- Verlag: Edinburgh University Press
- Seitenzahl: 288
- Erscheinungstermin: 28. Februar 2018
- Englisch
- Abmessung: 216mm x 139mm x 27mm
- Gewicht: 510g
- ISBN-13: 9780748682775
- ISBN-10: 0748682775
- Artikelnr.: 48812949
Alison Gibbons is Reader in Contemporary Stylistics at Sheffield Hallam University, UK. She is the author of Multimodality, Cognition, and Experimental Literature (Routledge 2012) and editor of Mark Z. Danielewski (Manchester University Press 2011), the Routledge Companion to Experimental Literature (Routledge 2012), Metamodernism: Historicity, Affect, and Depth after Postmodernism (Rowman & Littlefield International 2017) and Pronouns in Literature: Perspectives and Positions in Language (Palgrave 2018). Sara Whiteley is Senior Lecturer in Language and Literature at the University of Sheffield, UK. She is a cognitive stylistician with a particular interest in the way readers experience contemporary literature. She is co-author of The Discourse of Reading Groups: Integrating Cognitive and Sociocultural Perspectives (Routledge, 2016) and co-editor of The Cambridge Handbook of Stylistics (Cambridge University Press, 2014).
Part I. Introducing Contemporary Stylistics
1. Contemporary Stylistics
Part II. Literature as Language
2. Foregrounding
3. Phonemes to Sound Patterning
4. Morphemes to Words
5. Phrase to Sentence
6. Register, Lexical Semantics, and Cohesion
Part III. Literature as Discourse
7. Dialogue and Spoken Discourse
8. Speech, Thought, and Narration
9. Modality and Point of View
10. Transitivity and Ideology
11. Varieties and Invented Languages
Part IV. Text as Cognition
12. Figure and Ground
13. Cognitive Deixis
14. Schemas, Scripts, and Prototypes
15. Cognitive Grammar
Part V. Reading as Mental Spaces
16. Conceptual Metaphor and Conceptual Integration
17. Text-Worlds
18. Negation and Lacuna
Part VI. Reading as Experience
19. Analysing the Multimodal Text
20. Understanding Emotions
Part VII. Reading as Data
21. Corpus Stylistics
22. Investigating Readers
Part VIII. Conclusion
23. Future Stylistics
References
Literary Works
Poetry
Prose
Other Media
Critical Works
Corpus Programs
Index
1. Contemporary Stylistics
Part II. Literature as Language
2. Foregrounding
3. Phonemes to Sound Patterning
4. Morphemes to Words
5. Phrase to Sentence
6. Register, Lexical Semantics, and Cohesion
Part III. Literature as Discourse
7. Dialogue and Spoken Discourse
8. Speech, Thought, and Narration
9. Modality and Point of View
10. Transitivity and Ideology
11. Varieties and Invented Languages
Part IV. Text as Cognition
12. Figure and Ground
13. Cognitive Deixis
14. Schemas, Scripts, and Prototypes
15. Cognitive Grammar
Part V. Reading as Mental Spaces
16. Conceptual Metaphor and Conceptual Integration
17. Text-Worlds
18. Negation and Lacuna
Part VI. Reading as Experience
19. Analysing the Multimodal Text
20. Understanding Emotions
Part VII. Reading as Data
21. Corpus Stylistics
22. Investigating Readers
Part VIII. Conclusion
23. Future Stylistics
References
Literary Works
Poetry
Prose
Other Media
Critical Works
Corpus Programs
Index
Part I. Introducing Contemporary Stylistics
1. Contemporary Stylistics
Part II. Literature as Language
2. Foregrounding
3. Phonemes to Sound Patterning
4. Morphemes to Words
5. Phrase to Sentence
6. Register, Lexical Semantics, and Cohesion
Part III. Literature as Discourse
7. Dialogue and Spoken Discourse
8. Speech, Thought, and Narration
9. Modality and Point of View
10. Transitivity and Ideology
11. Varieties and Invented Languages
Part IV. Text as Cognition
12. Figure and Ground
13. Cognitive Deixis
14. Schemas, Scripts, and Prototypes
15. Cognitive Grammar
Part V. Reading as Mental Spaces
16. Conceptual Metaphor and Conceptual Integration
17. Text-Worlds
18. Negation and Lacuna
Part VI. Reading as Experience
19. Analysing the Multimodal Text
20. Understanding Emotions
Part VII. Reading as Data
21. Corpus Stylistics
22. Investigating Readers
Part VIII. Conclusion
23. Future Stylistics
References
Literary Works
Poetry
Prose
Other Media
Critical Works
Corpus Programs
Index
1. Contemporary Stylistics
Part II. Literature as Language
2. Foregrounding
3. Phonemes to Sound Patterning
4. Morphemes to Words
5. Phrase to Sentence
6. Register, Lexical Semantics, and Cohesion
Part III. Literature as Discourse
7. Dialogue and Spoken Discourse
8. Speech, Thought, and Narration
9. Modality and Point of View
10. Transitivity and Ideology
11. Varieties and Invented Languages
Part IV. Text as Cognition
12. Figure and Ground
13. Cognitive Deixis
14. Schemas, Scripts, and Prototypes
15. Cognitive Grammar
Part V. Reading as Mental Spaces
16. Conceptual Metaphor and Conceptual Integration
17. Text-Worlds
18. Negation and Lacuna
Part VI. Reading as Experience
19. Analysing the Multimodal Text
20. Understanding Emotions
Part VII. Reading as Data
21. Corpus Stylistics
22. Investigating Readers
Part VIII. Conclusion
23. Future Stylistics
References
Literary Works
Poetry
Prose
Other Media
Critical Works
Corpus Programs
Index