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Fredman makes the original argument that some of the most innovative works of poetry and art in the postwar period (1945-1970) engaged in a "contextual practice," a term that refers both to a way of making art characterized by assemblage and to a new relationship between art and life, an "erotic poetics."

Produktbeschreibung
Fredman makes the original argument that some of the most innovative works of poetry and art in the postwar period (1945-1970) engaged in a "contextual practice," a term that refers both to a way of making art characterized by assemblage and to a new relationship between art and life, an "erotic poetics."
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Autorenporträt
Stephen Fredman is Professor of English at the University of Notre Dame. His Poet's Prose: The Crisis in American Verse (1983, 1990), was nominated for a Pulitzer Prize.