Avril Rowlands
Continuity Supervisor
Avril Rowlands
Continuity Supervisor
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Serves as a practical guide to the basics of continuity, designed to be of use both to the newcomer and those more experienced. This edition covers the technological changes which affect the Continuity Supervisor.
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Serves as a practical guide to the basics of continuity, designed to be of use both to the newcomer and those more experienced. This edition covers the technological changes which affect the Continuity Supervisor.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- 4th edition
- Seitenzahl: 204
- Erscheinungstermin: 11. Juli 2017
- Englisch
- Gewicht: 453g
- ISBN-13: 9781138460485
- ISBN-10: 1138460486
- Artikelnr.: 48952221
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Taylor & Francis Ltd (Sales)
- 4th edition
- Seitenzahl: 204
- Erscheinungstermin: 11. Juli 2017
- Englisch
- Gewicht: 453g
- ISBN-13: 9781138460485
- ISBN-10: 1138460486
- Artikelnr.: 48952221
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Avril Rowlands, Colin Cant
Chapter 1 Introduction
Chapter 2 Out of Sequence Shooting: 1
Chapter 3 Out of Sequence Shooting: 2
Chapter 4 Shots in Scenes Out of Order
Chapter 5 The Work of Continuity
Chapter 6 Setting up: General
Chapter 7 The Production Team: 1
Chapter 8 The Production Team: 2
Chapter 9 The Crew
Chapter 10 The Script: 1
Chapter 11 The Script:2
Chapter 12 Scene Breakdown
Chapter 13 Timing the Script
Chapter 14 Booking Facilities
Chapter 15 Artists and How to Book Them
Chapter 16 Supporting Artists
Chapter 17 Children and Animals: 1
Chapter 18 Children and Animals: 2
Chapter 19 Locations: 1
Chapter 20 Locations: 2
Chapter 21 Accommodation
Chapter 22 Travel
Chapter 23 Food(or to Location Cater or Not...
Chapter 24 Insurance
Chapter 25 Costume and Make-Up
Chapter 26 Props and Design
Chapter 27 Shooting Schedule: 1
Chapter 28 Shooting Schedule: 2
Chapter 29 Shooting Schedule: 3
Chapter 30 Documentary-type Productions
Chapter 31 'Find Out All You Can About...'
Chapter 32 What to Take on Location...
Chapter 33 ...and Don't Forget the Boots...
Chapter 34 Specialised Observation
Chapter 35 Continuity: A Team Effort?
Chapter 36 Your Role Within the Unit
Chapter 37 Making Mistakes
Chapter 38 Knowledge of the Script
Chapter 39 Coverage Planned
Chapter 40 How to Keep Informed
Chapter 41 How to Describe Shots
Chapter 42 Other Terms Used
Chapter 43 Other Terms in General Use
Chapter 44 Know What to Observe: 1
Chapter 45 Know What to Observe: 2
Chapter 46 Priorities
Chapter 47 Props
Chapter 48 Costume
Chapter 49 Continuity of Action
Chapter 50 Continuity of Action and Dialogue
Chapter 51 Drama Situations
Chapter 52 Crossing the Line
Chapter 53 Screen Direction
Chapter 54 Drawings and Diagrams
Chapter 55 Rehearsals and Actors
Chapter 56 The Complete Scene
Chapter 57 Fred and Mabel: Coverage Planned
Chapter 58 Wide Angle: Fred and Mabel: Scene 1
Chapter 59 Wide Angle: Fred and Mabel: Scene 2
Chapter 60 Remaining Coverage: Fred and Mabel: Scene 1
Chapter 61 Remaining Coverage: Fred and Mabel: Scene 2
Chapter 62 Fred and Mabel: Edited Sequence
Chapter 63 Direct and Indirect Continuity
Chapter 64 Matching Continuity
Chapter 65 Shooting on Videotape
Chapter 66 Working on Documentary-Type Productions: 1
Chapter 67 Working on Documentary-Type Productions: 2
Chapter 68 Writing it Down
Chapter 69 When you Make Notes
Chapter 70 Continuity Report Sheet: General
Chapter 71 Continuity Report Sheet: Logging the Shots
Chapter 72 Continuity Report Sheet: Technical
Chapter 73 Continuity Report Sheet: Camera Information
Chapter 74 Continuity Report Sheet: Continuity
Chapter 75 Continuity Report Sheet: Details of Shooting
Chapter 76 Writing on the Script
Chapter 77 Other Paperwork
Chapter 78 Timing on Location
Chapter 79 Information for the Editor
Chapter 80 Coverage/Tramline Scripts
Chapter 81 Shot Listing
Chapter 82 The Realities of it All
Chapter 83 Post Production
Chapter 84 Editing the Picture: 1
Chapter 85 Editing the Picture: 2
Chapter 86 Editing the Picture: 3
Chapter 87 Editing the Sound
Chapter 88 Working in Widescreen
Chapter 89 Copyright: 1
Chapter 90 Copyright: 2
Chapter 91 Post Production Script
Chapter 92 Film and Videotape Formats: 1
Chapter 93 Film and Videotape Formats: 2
Chapter 2 Out of Sequence Shooting: 1
Chapter 3 Out of Sequence Shooting: 2
Chapter 4 Shots in Scenes Out of Order
Chapter 5 The Work of Continuity
Chapter 6 Setting up: General
Chapter 7 The Production Team: 1
Chapter 8 The Production Team: 2
Chapter 9 The Crew
Chapter 10 The Script: 1
Chapter 11 The Script:2
Chapter 12 Scene Breakdown
Chapter 13 Timing the Script
Chapter 14 Booking Facilities
Chapter 15 Artists and How to Book Them
Chapter 16 Supporting Artists
Chapter 17 Children and Animals: 1
Chapter 18 Children and Animals: 2
Chapter 19 Locations: 1
Chapter 20 Locations: 2
Chapter 21 Accommodation
Chapter 22 Travel
Chapter 23 Food(or to Location Cater or Not...
Chapter 24 Insurance
Chapter 25 Costume and Make-Up
Chapter 26 Props and Design
Chapter 27 Shooting Schedule: 1
Chapter 28 Shooting Schedule: 2
Chapter 29 Shooting Schedule: 3
Chapter 30 Documentary-type Productions
Chapter 31 'Find Out All You Can About...'
Chapter 32 What to Take on Location...
Chapter 33 ...and Don't Forget the Boots...
Chapter 34 Specialised Observation
Chapter 35 Continuity: A Team Effort?
Chapter 36 Your Role Within the Unit
Chapter 37 Making Mistakes
Chapter 38 Knowledge of the Script
Chapter 39 Coverage Planned
Chapter 40 How to Keep Informed
Chapter 41 How to Describe Shots
Chapter 42 Other Terms Used
Chapter 43 Other Terms in General Use
Chapter 44 Know What to Observe: 1
Chapter 45 Know What to Observe: 2
Chapter 46 Priorities
Chapter 47 Props
Chapter 48 Costume
Chapter 49 Continuity of Action
Chapter 50 Continuity of Action and Dialogue
Chapter 51 Drama Situations
Chapter 52 Crossing the Line
Chapter 53 Screen Direction
Chapter 54 Drawings and Diagrams
Chapter 55 Rehearsals and Actors
Chapter 56 The Complete Scene
Chapter 57 Fred and Mabel: Coverage Planned
Chapter 58 Wide Angle: Fred and Mabel: Scene 1
Chapter 59 Wide Angle: Fred and Mabel: Scene 2
Chapter 60 Remaining Coverage: Fred and Mabel: Scene 1
Chapter 61 Remaining Coverage: Fred and Mabel: Scene 2
Chapter 62 Fred and Mabel: Edited Sequence
Chapter 63 Direct and Indirect Continuity
Chapter 64 Matching Continuity
Chapter 65 Shooting on Videotape
Chapter 66 Working on Documentary-Type Productions: 1
Chapter 67 Working on Documentary-Type Productions: 2
Chapter 68 Writing it Down
Chapter 69 When you Make Notes
Chapter 70 Continuity Report Sheet: General
Chapter 71 Continuity Report Sheet: Logging the Shots
Chapter 72 Continuity Report Sheet: Technical
Chapter 73 Continuity Report Sheet: Camera Information
Chapter 74 Continuity Report Sheet: Continuity
Chapter 75 Continuity Report Sheet: Details of Shooting
Chapter 76 Writing on the Script
Chapter 77 Other Paperwork
Chapter 78 Timing on Location
Chapter 79 Information for the Editor
Chapter 80 Coverage/Tramline Scripts
Chapter 81 Shot Listing
Chapter 82 The Realities of it All
Chapter 83 Post Production
Chapter 84 Editing the Picture: 1
Chapter 85 Editing the Picture: 2
Chapter 86 Editing the Picture: 3
Chapter 87 Editing the Sound
Chapter 88 Working in Widescreen
Chapter 89 Copyright: 1
Chapter 90 Copyright: 2
Chapter 91 Post Production Script
Chapter 92 Film and Videotape Formats: 1
Chapter 93 Film and Videotape Formats: 2
Chapter 1 Introduction
Chapter 2 Out of Sequence Shooting: 1
Chapter 3 Out of Sequence Shooting: 2
Chapter 4 Shots in Scenes Out of Order
Chapter 5 The Work of Continuity
Chapter 6 Setting up: General
Chapter 7 The Production Team: 1
Chapter 8 The Production Team: 2
Chapter 9 The Crew
Chapter 10 The Script: 1
Chapter 11 The Script:2
Chapter 12 Scene Breakdown
Chapter 13 Timing the Script
Chapter 14 Booking Facilities
Chapter 15 Artists and How to Book Them
Chapter 16 Supporting Artists
Chapter 17 Children and Animals: 1
Chapter 18 Children and Animals: 2
Chapter 19 Locations: 1
Chapter 20 Locations: 2
Chapter 21 Accommodation
Chapter 22 Travel
Chapter 23 Food(or to Location Cater or Not...
Chapter 24 Insurance
Chapter 25 Costume and Make-Up
Chapter 26 Props and Design
Chapter 27 Shooting Schedule: 1
Chapter 28 Shooting Schedule: 2
Chapter 29 Shooting Schedule: 3
Chapter 30 Documentary-type Productions
Chapter 31 'Find Out All You Can About...'
Chapter 32 What to Take on Location...
Chapter 33 ...and Don't Forget the Boots...
Chapter 34 Specialised Observation
Chapter 35 Continuity: A Team Effort?
Chapter 36 Your Role Within the Unit
Chapter 37 Making Mistakes
Chapter 38 Knowledge of the Script
Chapter 39 Coverage Planned
Chapter 40 How to Keep Informed
Chapter 41 How to Describe Shots
Chapter 42 Other Terms Used
Chapter 43 Other Terms in General Use
Chapter 44 Know What to Observe: 1
Chapter 45 Know What to Observe: 2
Chapter 46 Priorities
Chapter 47 Props
Chapter 48 Costume
Chapter 49 Continuity of Action
Chapter 50 Continuity of Action and Dialogue
Chapter 51 Drama Situations
Chapter 52 Crossing the Line
Chapter 53 Screen Direction
Chapter 54 Drawings and Diagrams
Chapter 55 Rehearsals and Actors
Chapter 56 The Complete Scene
Chapter 57 Fred and Mabel: Coverage Planned
Chapter 58 Wide Angle: Fred and Mabel: Scene 1
Chapter 59 Wide Angle: Fred and Mabel: Scene 2
Chapter 60 Remaining Coverage: Fred and Mabel: Scene 1
Chapter 61 Remaining Coverage: Fred and Mabel: Scene 2
Chapter 62 Fred and Mabel: Edited Sequence
Chapter 63 Direct and Indirect Continuity
Chapter 64 Matching Continuity
Chapter 65 Shooting on Videotape
Chapter 66 Working on Documentary-Type Productions: 1
Chapter 67 Working on Documentary-Type Productions: 2
Chapter 68 Writing it Down
Chapter 69 When you Make Notes
Chapter 70 Continuity Report Sheet: General
Chapter 71 Continuity Report Sheet: Logging the Shots
Chapter 72 Continuity Report Sheet: Technical
Chapter 73 Continuity Report Sheet: Camera Information
Chapter 74 Continuity Report Sheet: Continuity
Chapter 75 Continuity Report Sheet: Details of Shooting
Chapter 76 Writing on the Script
Chapter 77 Other Paperwork
Chapter 78 Timing on Location
Chapter 79 Information for the Editor
Chapter 80 Coverage/Tramline Scripts
Chapter 81 Shot Listing
Chapter 82 The Realities of it All
Chapter 83 Post Production
Chapter 84 Editing the Picture: 1
Chapter 85 Editing the Picture: 2
Chapter 86 Editing the Picture: 3
Chapter 87 Editing the Sound
Chapter 88 Working in Widescreen
Chapter 89 Copyright: 1
Chapter 90 Copyright: 2
Chapter 91 Post Production Script
Chapter 92 Film and Videotape Formats: 1
Chapter 93 Film and Videotape Formats: 2
Chapter 2 Out of Sequence Shooting: 1
Chapter 3 Out of Sequence Shooting: 2
Chapter 4 Shots in Scenes Out of Order
Chapter 5 The Work of Continuity
Chapter 6 Setting up: General
Chapter 7 The Production Team: 1
Chapter 8 The Production Team: 2
Chapter 9 The Crew
Chapter 10 The Script: 1
Chapter 11 The Script:2
Chapter 12 Scene Breakdown
Chapter 13 Timing the Script
Chapter 14 Booking Facilities
Chapter 15 Artists and How to Book Them
Chapter 16 Supporting Artists
Chapter 17 Children and Animals: 1
Chapter 18 Children and Animals: 2
Chapter 19 Locations: 1
Chapter 20 Locations: 2
Chapter 21 Accommodation
Chapter 22 Travel
Chapter 23 Food(or to Location Cater or Not...
Chapter 24 Insurance
Chapter 25 Costume and Make-Up
Chapter 26 Props and Design
Chapter 27 Shooting Schedule: 1
Chapter 28 Shooting Schedule: 2
Chapter 29 Shooting Schedule: 3
Chapter 30 Documentary-type Productions
Chapter 31 'Find Out All You Can About...'
Chapter 32 What to Take on Location...
Chapter 33 ...and Don't Forget the Boots...
Chapter 34 Specialised Observation
Chapter 35 Continuity: A Team Effort?
Chapter 36 Your Role Within the Unit
Chapter 37 Making Mistakes
Chapter 38 Knowledge of the Script
Chapter 39 Coverage Planned
Chapter 40 How to Keep Informed
Chapter 41 How to Describe Shots
Chapter 42 Other Terms Used
Chapter 43 Other Terms in General Use
Chapter 44 Know What to Observe: 1
Chapter 45 Know What to Observe: 2
Chapter 46 Priorities
Chapter 47 Props
Chapter 48 Costume
Chapter 49 Continuity of Action
Chapter 50 Continuity of Action and Dialogue
Chapter 51 Drama Situations
Chapter 52 Crossing the Line
Chapter 53 Screen Direction
Chapter 54 Drawings and Diagrams
Chapter 55 Rehearsals and Actors
Chapter 56 The Complete Scene
Chapter 57 Fred and Mabel: Coverage Planned
Chapter 58 Wide Angle: Fred and Mabel: Scene 1
Chapter 59 Wide Angle: Fred and Mabel: Scene 2
Chapter 60 Remaining Coverage: Fred and Mabel: Scene 1
Chapter 61 Remaining Coverage: Fred and Mabel: Scene 2
Chapter 62 Fred and Mabel: Edited Sequence
Chapter 63 Direct and Indirect Continuity
Chapter 64 Matching Continuity
Chapter 65 Shooting on Videotape
Chapter 66 Working on Documentary-Type Productions: 1
Chapter 67 Working on Documentary-Type Productions: 2
Chapter 68 Writing it Down
Chapter 69 When you Make Notes
Chapter 70 Continuity Report Sheet: General
Chapter 71 Continuity Report Sheet: Logging the Shots
Chapter 72 Continuity Report Sheet: Technical
Chapter 73 Continuity Report Sheet: Camera Information
Chapter 74 Continuity Report Sheet: Continuity
Chapter 75 Continuity Report Sheet: Details of Shooting
Chapter 76 Writing on the Script
Chapter 77 Other Paperwork
Chapter 78 Timing on Location
Chapter 79 Information for the Editor
Chapter 80 Coverage/Tramline Scripts
Chapter 81 Shot Listing
Chapter 82 The Realities of it All
Chapter 83 Post Production
Chapter 84 Editing the Picture: 1
Chapter 85 Editing the Picture: 2
Chapter 86 Editing the Picture: 3
Chapter 87 Editing the Sound
Chapter 88 Working in Widescreen
Chapter 89 Copyright: 1
Chapter 90 Copyright: 2
Chapter 91 Post Production Script
Chapter 92 Film and Videotape Formats: 1
Chapter 93 Film and Videotape Formats: 2