Is control the cultural logic of the twenty-first century? With Deleuze's brief but influential work on control as a starting point, the eleven essays in this book focus on the question of how contemporary control mechanisms influence, and are influenced by, cultural expression. They also collectively revaluate Foucault and Deleuze's theories of discipline and control in light of the continued development of biopolitics. Written by an impressive line-up of contemporary scholars of philosophy, politics and culture, the essays cover the particularity of control in relation to various fields and…mehr
Is control the cultural logic of the twenty-first century? With Deleuze's brief but influential work on control as a starting point, the eleven essays in this book focus on the question of how contemporary control mechanisms influence, and are influenced by, cultural expression. They also collectively revaluate Foucault and Deleuze's theories of discipline and control in light of the continued development of biopolitics. Written by an impressive line-up of contemporary scholars of philosophy, politics and culture, the essays cover the particularity of control in relation to various fields and modes of expression including literature, cinema, television, music and philosophy. Frida Beckman is Associate Professor in the Department of Culture and Aesthetics at Stockholm University.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Frida Beckman is Professor of Comparative Literature at Stockholm University, Sweden. Her books include Control Culture: Foucault and Deleuze after Discipline (Edinburgh University Press, 2018) and Culture Control Critique: Allegories of Reading the Present (Rowman & Littlefield International, 2016). She has also published extensively on Deleuze, where her books include Gilles Deleuze: A Critical Life (Reaktion Books, 2017), Between Desire and Pleasure: A Deleuzian Theory of Sexuality (Edinburgh University Press, 2013) and the edited collection Deleuze and Sex (Edinburgh University Press, 2011).
Inhaltsangabe
Acknowledgements; Introduction. Control of What? Frida Beckman; 1. Notes from an Investigation of 'Control Society' Gregg Lambert; 2. Post- Mortem on Race and Control Neel Ahuja; 3. Periodising (With) Control Seb Franklin; 4. Subjects of Sovereign Control and the Art of Critique in the Early Modern Period Carin Franzén; 5. Posthumanism Social Complexity and the Political: A Genealogy for Foucault's The Birth of Biopolitics Cary Wolfe; 6. 'That Path is For Your Steps Alone': Popular Music Neoliberalism and Biopolitics Jeffrey T. Nealon; 7. Cinema in the Age of Control Gregory Flaxman; 8. Towards a 'Minor' Fascism: Panoptic Control and Resistant Multiplicity in TV's Spooks Colin Gardner; 9. Species States: Animal Control in Phil Klay's Redeployment Colleen Glenney Boggs; 10. Control and a Minor Literature Frida Beckman; 11. Philosophy and Control Paul Patton; Notes on the Contributors Index.
Acknowledgements; Introduction. Control of What? Frida Beckman; 1. Notes from an Investigation of 'Control Society' Gregg Lambert; 2. Post- Mortem on Race and Control Neel Ahuja; 3. Periodising (With) Control Seb Franklin; 4. Subjects of Sovereign Control and the Art of Critique in the Early Modern Period Carin Franzén; 5. Posthumanism Social Complexity and the Political: A Genealogy for Foucault's The Birth of Biopolitics Cary Wolfe; 6. 'That Path is For Your Steps Alone': Popular Music Neoliberalism and Biopolitics Jeffrey T. Nealon; 7. Cinema in the Age of Control Gregory Flaxman; 8. Towards a 'Minor' Fascism: Panoptic Control and Resistant Multiplicity in TV's Spooks Colin Gardner; 9. Species States: Animal Control in Phil Klay's Redeployment Colleen Glenney Boggs; 10. Control and a Minor Literature Frida Beckman; 11. Philosophy and Control Paul Patton; Notes on the Contributors Index.
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