Janet K. Page explores the golden age of convent music in Vienna, and the convents' surprising engagement with contemporary politics.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Janet K. Page is Professor of Musicology at the Rudi E. Scheidt School of Music at the University of Memphis. Her research explores musical life in seventeenth- and eighteenth-century Vienna, performance practice, women and music, and wind instruments and music. Her publications include an edition of the oboe concertos of C. P. E. Bach for the new Complete Works edition, and articles, reviews and reports in Early Music, The Journal of Seventeenth-Century Music, and Eighteenth-Century Music.
Inhaltsangabe
Introduction: female convents and music in Vienna 1650-1785; 1. Columbina in the convent: the music of entrance clothing and profession in Viennese convents; 2. Maria Anna von Raschenau and music at the convent of St Jakob auf der Hülben; 3. Court music and Counter-Reformation education in an Ursuline convent; 4. 'A virtual picture of Arcadia': musical entertainments for Leopold I and Joseph I; 5. Commedia dell'arte talking animals and the three Marys: passion music in Viennese convents; 6. Convents music and Habsburg rule in eighteenth-century Vienna; Appendix 1. Plays oratorios cantatas Sepolcri and Feste teatrali performed in Viennese convents ca.1660-1774; Appendix 2. Selected documents; Appendix 3. The Habsburgs and their family connections; Appendix 4. Glossary of terms and titles.
Introduction: female convents and music in Vienna 1650-1785; 1. Columbina in the convent: the music of entrance clothing and profession in Viennese convents; 2. Maria Anna von Raschenau and music at the convent of St Jakob auf der Hülben; 3. Court music and Counter-Reformation education in an Ursuline convent; 4. 'A virtual picture of Arcadia': musical entertainments for Leopold I and Joseph I; 5. Commedia dell'arte talking animals and the three Marys: passion music in Viennese convents; 6. Convents music and Habsburg rule in eighteenth-century Vienna; Appendix 1. Plays oratorios cantatas Sepolcri and Feste teatrali performed in Viennese convents ca.1660-1774; Appendix 2. Selected documents; Appendix 3. The Habsburgs and their family connections; Appendix 4. Glossary of terms and titles.
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