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In this series of essays, Thomas Leabhart presents a thorough overview and analysis of the roots of Etienne Decrouxâ s artistic genealogy.
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In this series of essays, Thomas Leabhart presents a thorough overview and analysis of the roots of Etienne Decrouxâ s artistic genealogy.
Produktdetails
- Produktdetails
- Routledge Advances in Theatre & Performance Studies
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 174
- Erscheinungstermin: 29. Januar 2024
- Englisch
- Abmessung: 233mm x 154mm x 13mm
- Gewicht: 288g
- ISBN-13: 9781032071916
- ISBN-10: 1032071915
- Artikelnr.: 69792325
- Routledge Advances in Theatre & Performance Studies
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 174
- Erscheinungstermin: 29. Januar 2024
- Englisch
- Abmessung: 233mm x 154mm x 13mm
- Gewicht: 288g
- ISBN-13: 9781032071916
- ISBN-10: 1032071915
- Artikelnr.: 69792325
Thomas Leabhart, Professor of Theatre at Pomona College, California, worked with Etienne Decroux from 1968-72. He authored Modern and Post-Modern Mime (Macmillan, 1989), Etienne Decroux (Routledge, 2019) and co-edited (with Franc Chamberlain) The Decroux Sourcebook (Routledge, 2008). Leabhart edits Mime Journal, and for a decade participated as Artistic Staff at Eugenio Barba's ISTA meetings.
Acknowledgements
Preface
1. Introduction: Lessons from Prague
2. Blowing up the Palace and Hanging up on the Opera
3. Monkey Business and Robin Revelations: Animal Observation in Actor
Training
4. Friday Night Pearls of Wisdom
5. E. G. Craig's Übermarionette and E. Decroux's "actor made of wood"
6. Triptych
7. Everything Weighs: Wrestling with an Invisible Angel
8. The Mask in Actor Training: Copeau to Decroux
9. The Face in Corporeal Mime: From Plaster Death Mask to Living Actor's
Visage
10. L'Homme de Sport: Sport, Statuary, and the Recovery of the Body in
Corporeal Mime.
Index
Preface
1. Introduction: Lessons from Prague
2. Blowing up the Palace and Hanging up on the Opera
3. Monkey Business and Robin Revelations: Animal Observation in Actor
Training
4. Friday Night Pearls of Wisdom
5. E. G. Craig's Übermarionette and E. Decroux's "actor made of wood"
6. Triptych
7. Everything Weighs: Wrestling with an Invisible Angel
8. The Mask in Actor Training: Copeau to Decroux
9. The Face in Corporeal Mime: From Plaster Death Mask to Living Actor's
Visage
10. L'Homme de Sport: Sport, Statuary, and the Recovery of the Body in
Corporeal Mime.
Index
Acknowledgements
Preface
1. Introduction: Lessons from Prague
2. Blowing up the Palace and Hanging up on the Opera
3. Monkey Business and Robin Revelations: Animal Observation in Actor Training
4. Friday Night Pearls of Wisdom
5. E. G. Craig's Übermarionette and E. Decroux's "actor made of wood"
6. Triptych
7. Everything Weighs: Wrestling with an Invisible Angel
8. The Mask in Actor Training: Copeau to Decroux
9. The Face in Corporeal Mime: From Plaster Death Mask to Living Actor's Visage
10. L'Homme de Sport: Sport, Statuary, and the Recovery of the Body in Corporeal Mime.
Index
Preface
1. Introduction: Lessons from Prague
2. Blowing up the Palace and Hanging up on the Opera
3. Monkey Business and Robin Revelations: Animal Observation in Actor Training
4. Friday Night Pearls of Wisdom
5. E. G. Craig's Übermarionette and E. Decroux's "actor made of wood"
6. Triptych
7. Everything Weighs: Wrestling with an Invisible Angel
8. The Mask in Actor Training: Copeau to Decroux
9. The Face in Corporeal Mime: From Plaster Death Mask to Living Actor's Visage
10. L'Homme de Sport: Sport, Statuary, and the Recovery of the Body in Corporeal Mime.
Index
Acknowledgements
Preface
1. Introduction: Lessons from Prague
2. Blowing up the Palace and Hanging up on the Opera
3. Monkey Business and Robin Revelations: Animal Observation in Actor
Training
4. Friday Night Pearls of Wisdom
5. E. G. Craig's Übermarionette and E. Decroux's "actor made of wood"
6. Triptych
7. Everything Weighs: Wrestling with an Invisible Angel
8. The Mask in Actor Training: Copeau to Decroux
9. The Face in Corporeal Mime: From Plaster Death Mask to Living Actor's
Visage
10. L'Homme de Sport: Sport, Statuary, and the Recovery of the Body in
Corporeal Mime.
Index
Preface
1. Introduction: Lessons from Prague
2. Blowing up the Palace and Hanging up on the Opera
3. Monkey Business and Robin Revelations: Animal Observation in Actor
Training
4. Friday Night Pearls of Wisdom
5. E. G. Craig's Übermarionette and E. Decroux's "actor made of wood"
6. Triptych
7. Everything Weighs: Wrestling with an Invisible Angel
8. The Mask in Actor Training: Copeau to Decroux
9. The Face in Corporeal Mime: From Plaster Death Mask to Living Actor's
Visage
10. L'Homme de Sport: Sport, Statuary, and the Recovery of the Body in
Corporeal Mime.
Index
Acknowledgements
Preface
1. Introduction: Lessons from Prague
2. Blowing up the Palace and Hanging up on the Opera
3. Monkey Business and Robin Revelations: Animal Observation in Actor Training
4. Friday Night Pearls of Wisdom
5. E. G. Craig's Übermarionette and E. Decroux's "actor made of wood"
6. Triptych
7. Everything Weighs: Wrestling with an Invisible Angel
8. The Mask in Actor Training: Copeau to Decroux
9. The Face in Corporeal Mime: From Plaster Death Mask to Living Actor's Visage
10. L'Homme de Sport: Sport, Statuary, and the Recovery of the Body in Corporeal Mime.
Index
Preface
1. Introduction: Lessons from Prague
2. Blowing up the Palace and Hanging up on the Opera
3. Monkey Business and Robin Revelations: Animal Observation in Actor Training
4. Friday Night Pearls of Wisdom
5. E. G. Craig's Übermarionette and E. Decroux's "actor made of wood"
6. Triptych
7. Everything Weighs: Wrestling with an Invisible Angel
8. The Mask in Actor Training: Copeau to Decroux
9. The Face in Corporeal Mime: From Plaster Death Mask to Living Actor's Visage
10. L'Homme de Sport: Sport, Statuary, and the Recovery of the Body in Corporeal Mime.
Index