Ann Elias traces the history of two explorers whose photographs and films of tropical reefs in the 1920s cast corals and the sea as an unexplored territory to be exploited in ways that tied the tropics and reefs to colonialism, racism, and the human domination of nature.
Ann Elias traces the history of two explorers whose photographs and films of tropical reefs in the 1920s cast corals and the sea as an unexplored territory to be exploited in ways that tied the tropics and reefs to colonialism, racism, and the human domination of nature.
Ann Elias is Associate Professor of the History and Theory of Contemporary Global Art at the University of Sydney, author of Camouflage Australia: Art, Nature, Science, and War and Useless Beauty: Flowers and Australian Art, and coeditor of Camouflage Cultures: Beyond the Art of Disappearance.
Inhaltsangabe
Acknowledgments ix Introduction 1 Part I. The Coral Uncanny 1. Coral Empire 15 2. Mad Love 29 Part II. John Ernest Williamson and the Bahamas 3. Williamson and the Photosphere 49 4. The Field Museum—Williamson Undersea Expedition 68 5. Under the Sea 83 6. Williamson in Australia 97 Part III. Frank Hurley and the Great Barrier Reef 7. Hurley and the Floor of the Sea 117 8. Hurley and the Australian Museum Expedition 131 9. Pearls and Savages 147 10. Hurley and the Torres Strait Diver 165 Part IV. Hurley and Williamson 11. Explorers and Modern Media 185 12. Color and Tourism 199 Part V. The Great Acceleration 13. The Anthropocene 217 Conclusion 230 Notes 235 Bibliography 261 Index 277
Acknowledgments ix Introduction 1 Part I. The Coral Uncanny 1. Coral Empire 15 2. Mad Love 29 Part II. John Ernest Williamson and the Bahamas 3. Williamson and the Photosphere 49 4. The Field Museum—Williamson Undersea Expedition 68 5. Under the Sea 83 6. Williamson in Australia 97 Part III. Frank Hurley and the Great Barrier Reef 7. Hurley and the Floor of the Sea 117 8. Hurley and the Australian Museum Expedition 131 9. Pearls and Savages 147 10. Hurley and the Torres Strait Diver 165 Part IV. Hurley and Williamson 11. Explorers and Modern Media 185 12. Color and Tourism 199 Part V. The Great Acceleration 13. The Anthropocene 217 Conclusion 230 Notes 235 Bibliography 261 Index 277
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