In Corporeal Bonds, Patrizia Sambuco analyses novels by authors such as Elsa Morante, Francesca Sanvitale, Mariateresa Di Lascia, and Elena Ferrante, each of which is narrated from the daughter’s point of view and depicts the daughter’s bond with the mother.
In Corporeal Bonds, Patrizia Sambuco analyses novels by authors such as Elsa Morante, Francesca Sanvitale, Mariateresa Di Lascia, and Elena Ferrante, each of which is narrated from the daughter’s point of view and depicts the daughter’s bond with the mother.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Patrizia Sambuco is the editor of Transmissions of Memory and Italian Women Writers, 1800–2000 and the author of Corporeal Bonds.
Inhaltsangabe
Acknowledgments Introduction 1 Psychoanalytic Accounts of Sexual Difference: Luce Irigaray and Italian Feminism The Denial of the Mother The Mother Figure and the Maternal Irigaray: Subjectivity and the Mother-Daughter Corporeal Bond From Mothers to Daughters: The Italian Scene Diotima and Luisa Muraro Adriana Cavarero 2 Elsa Morante’s Menzogna e sortilegio: The Incorporeal Bond Menzogna e sortilegio and the Critics Motherhood and the Mother-Daughter Relationship: Cesira and Anna Maternal Love: Rosaria and Alessandra Elisa 3 Francesca Sanvitale’s Madre e figlia: Bodies of Pain and Imagination Body as Object of Desire The Male Hero Medical Establishment: The Attack on the Body Critique and Re-imagining Writing, Imagination, and Language Narrator, Character, and Author in Search of Identity 4 Mariateresa Di Lascia’s Passaggio in ombra: The Maternal as Expression of Desire and Corporeality Desire Chiara The Daughter within the Heterosexual Economy Body and Knowledge 5 Elena Ferrante’s L’amore molesto: The Renegotiation of the Mother’s Body Delia: The Love and Hatred of a Selfless Subject Reconstructing the Past The Language of Dresses 6 Elena Stancanelli’s Benzina: The Surreal Mother-Daughter Relationship and New Possibilities Elena Stancanelli and the Literary Scene, 1995–2000 Benzina 154 Mother and Daughter: Different Bodies, Different Personalities A Relationship of Fusion and Independence Oppressed Bodies in the Family Home Looking, and Looking at Each Other Conclusion Notes Bibliography Index
Acknowledgments Introduction 1 Psychoanalytic Accounts of Sexual Difference: Luce Irigaray and Italian Feminism The Denial of the Mother The Mother Figure and the Maternal Irigaray: Subjectivity and the Mother-Daughter Corporeal Bond From Mothers to Daughters: The Italian Scene Diotima and Luisa Muraro Adriana Cavarero 2 Elsa Morante’s Menzogna e sortilegio: The Incorporeal Bond Menzogna e sortilegio and the Critics Motherhood and the Mother-Daughter Relationship: Cesira and Anna Maternal Love: Rosaria and Alessandra Elisa 3 Francesca Sanvitale’s Madre e figlia: Bodies of Pain and Imagination Body as Object of Desire The Male Hero Medical Establishment: The Attack on the Body Critique and Re-imagining Writing, Imagination, and Language Narrator, Character, and Author in Search of Identity 4 Mariateresa Di Lascia’s Passaggio in ombra: The Maternal as Expression of Desire and Corporeality Desire Chiara The Daughter within the Heterosexual Economy Body and Knowledge 5 Elena Ferrante’s L’amore molesto: The Renegotiation of the Mother’s Body Delia: The Love and Hatred of a Selfless Subject Reconstructing the Past The Language of Dresses 6 Elena Stancanelli’s Benzina: The Surreal Mother-Daughter Relationship and New Possibilities Elena Stancanelli and the Literary Scene, 1995–2000 Benzina 154 Mother and Daughter: Different Bodies, Different Personalities A Relationship of Fusion and Independence Oppressed Bodies in the Family Home Looking, and Looking at Each Other Conclusion Notes Bibliography Index
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