Counternarrative Possibilities reads Cormac McCarthy's Westerns against the backdrop of two formative tropes in American mythology: virgin land (from the 1950s) and homeland (after '9/11' ). Looking at McCarthy's Westerns in the context of American Studies, James Dorson shows how his novels counter the national narratives underlying these tropes and reinvest them with new, potentially transformative meaning. Departing from prevailing accounts of McCarthy that place him in relation to his literary antecedents, Counternarrative Possibilities takes a forwardlooking approach that reads McCarthy's…mehr
Counternarrative Possibilities reads Cormac McCarthy's Westerns against the backdrop of two formative tropes in American mythology: virgin land (from the 1950s) and homeland (after '9/11' ). Looking at McCarthy's Westerns in the context of American Studies, James Dorson shows how his novels counter the national narratives underlying these tropes and reinvest them with new, potentially transformative meaning. Departing from prevailing accounts of McCarthy that place him in relation to his literary antecedents, Counternarrative Possibilities takes a forwardlooking approach that reads McCarthy's work as a key influence on millennial fiction. Weaving together disciplinary history with longstanding debates over the relationship between aesthetics and politics, this book is at once an exploration of the limits of ideology critique in the twenty-first century and an original reconsideration of McCarthy's work 'after postmodernism'.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
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Inhaltsangabe
Contents Acknowledgements9 Preface11 Part I: Narratives and Counternarratives 1The Power of Narrative19 Connect the Dots20 Closure and Emplotment24 Narrative, Legitimacy, Force28 Untranscendable Horizons30 2Counternarrative Possibilities38 The Historicist Origins of the Counternarrative39 Two Conceptions of Society44 The Roles of Negation49 "Complicity Battling Redemption": Counternarrative Tactics58 Negative Closure68 3American Studies and the Virgin Land Myth74 Indian-Hating and the Logic of Fetishism75 The Myth and Symbol School's "Doctrine of Doubleness"87 American Unexceptionalism: Violation and Revisionism93 "The Entire Planet as a Unit of Analysis": Postnationalism and the New Americanists100 4American Studies and the Homeland Myth108 The National 'Wound'109 The Rhetoric of Rupture118 The Eternal Homecoming126 Metanostalgia134 Part II:Cormac McCarthy's Westerns Strings and Mazes: Introducing Cormac McCarthy141 5Blood Meridian and the Misrule of Law151 Violence, Law, Westerns153 The Primordial Crime161 Judge Holden's Economy of Justice167 The Horror of the Real173 6Aesthetic Coldness177 "Things Are Seldom What They Seem": Blood Meridian's Anti-Realism178 Into the Grand Hotel Abyss182 The Violence of Form185 The Monster of Reason189 7Blood Meridian's Dangerous Absolutes193 The Historical Absolute194 The Desert Absolute198 Absolute Instability202 Mutual Accountability207 8Saving Romance from 'America' in the Border Trilogy210 "Another World Entire": The Americanization of Romance211 Reading the Border Trilogy through American Studies219 Radical Longing and Fugitive Time227 "Ten Thousand Worlds for the Choosing"232 9From Pastiche to Tragedy238 Suffering Beyond Pastiche: Genre and Post-Postmodernism240 Mourning the Sublime250 "That Which Is and Must Be": The Punishment of John Grady Cole and Billy Parham252 The Deconsecration of Capital261 Conclusion: Perilous Ground267 Between Loss and Longing271 Perilous Ground281 Bibliography284 Index302 Contents
Contents Acknowledgements9 Preface11 Part I: Narratives and Counternarratives 1The Power of Narrative19 Connect the Dots20 Closure and Emplotment24 Narrative, Legitimacy, Force28 Untranscendable Horizons30 2Counternarrative Possibilities38 The Historicist Origins of the Counternarrative39 Two Conceptions of Society44 The Roles of Negation49 "Complicity Battling Redemption": Counternarrative Tactics58 Negative Closure68 3American Studies and the Virgin Land Myth74 Indian-Hating and the Logic of Fetishism75 The Myth and Symbol School's "Doctrine of Doubleness"87 American Unexceptionalism: Violation and Revisionism93 "The Entire Planet as a Unit of Analysis": Postnationalism and the New Americanists100 4American Studies and the Homeland Myth108 The National 'Wound'109 The Rhetoric of Rupture118 The Eternal Homecoming126 Metanostalgia134 Part II:Cormac McCarthy's Westerns Strings and Mazes: Introducing Cormac McCarthy141 5Blood Meridian and the Misrule of Law151 Violence, Law, Westerns153 The Primordial Crime161 Judge Holden's Economy of Justice167 The Horror of the Real173 6Aesthetic Coldness177 "Things Are Seldom What They Seem": Blood Meridian's Anti-Realism178 Into the Grand Hotel Abyss182 The Violence of Form185 The Monster of Reason189 7Blood Meridian's Dangerous Absolutes193 The Historical Absolute194 The Desert Absolute198 Absolute Instability202 Mutual Accountability207 8Saving Romance from 'America' in the Border Trilogy210 "Another World Entire": The Americanization of Romance211 Reading the Border Trilogy through American Studies219 Radical Longing and Fugitive Time227 "Ten Thousand Worlds for the Choosing"232 9From Pastiche to Tragedy238 Suffering Beyond Pastiche: Genre and Post-Postmodernism240 Mourning the Sublime250 "That Which Is and Must Be": The Punishment of John Grady Cole and Billy Parham252 The Deconsecration of Capital261 Conclusion: Perilous Ground267 Between Loss and Longing271 Perilous Ground281 Bibliography284 Index302 Contents
The Myth and Symbol School's "Doctrine of Doubleness"87
American Unexceptionalism: Violation and Revisionism93
"The Entire Planet as a Unit of Analysis": Postnationalism and the New Americanists100
4American Studies and the Homeland Myth108
The National 'Wound'109
The Rhetoric of Rupture118
The Eternal Homecoming126
Metanostalgia134
Part II:Cormac McCarthy's Westerns Strings and Mazes: Introducing Cormac McCarthy141
5Blood Meridian and the Misrule of Law151
Violence, Law, Westerns153
The Primordial Crime161
Judge Holden's Economy of Justice167
The Horror of the Real173
6Aesthetic Coldness177
"Things Are Seldom What They Seem": Blood Meridian's Anti-Realism178
Into the Grand Hotel Abyss182
The Violence of Form185
The Monster of Reason189 7Blood Meridian's Dangerous Absolutes193
The Historical Absolute194
The Desert Absolute198
Absolute Instability202
Mutual Accountability207
8Saving Romance from 'America' in the Border Trilogy210
"Another World Entire": The Americanization of Romance211
Reading the Border Trilogy through American Studies219
Radical Longing and Fugitive Time227
"Ten Thousand Worlds for the Choosing"232
9From Pastiche to Tragedy238
Suffering Beyond Pastiche: Genre and Post-Postmodernism240
Mourning the Sublime250
"That Which Is and Must Be": The Punishment of John Grady Cole and Billy Parham252
The Deconsecration of Capital261
Conclusion: Perilous Ground267
Between Loss and Longing271
Perilous Ground281
Bibliography284
Index302
Rezensionen
"Dorson provides an eloquent encapsulation of scholarly approaches regarding the affirmation and subversion of romantic narratives in the novels. And throughout he offers wonderful connections to Herman Melville and James Joyce." E. Hage, SUNY Cobleskill, Choice, 01.04.2017»Dorson provides an eloquent encapsulation of scholarly approaches regarding the affirmation and subversion of romantic narratives in the novels. And throughout he offers wonderful connections to Herman Melville and James Joyce.« E. Hage, SUNY Cobleskill, Choice, 01.04.2017 »In its entirety, James Dorson's Counternarrative Possibilities develops two absorbing argumentative strands: An extremely informed and informative examination of the politics of criticism as well as the criticism of politics that have shaped American Studies since the second half of the twentieth century; and a well-argued re-examination of McCarthy's western novels in light of recent political and cultural developments in the United States.« Jan D. Kucharzewski, Amerikastudien/America Studies, 64.3 (2019)
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