Counterpoint and Compositional Process in the Time of Dufay
Perspectives from German Musicology
Herausgeber: Moll, Kevin N
Counterpoint and Compositional Process in the Time of Dufay
Perspectives from German Musicology
Herausgeber: Moll, Kevin N
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First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
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First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 430
- Erscheinungstermin: 13. Mai 2016
- Englisch
- Abmessung: 216mm x 140mm x 22mm
- Gewicht: 494g
- ISBN-13: 9781138966864
- ISBN-10: 113896686X
- Artikelnr.: 57052005
- Verlag: Taylor & Francis
- Seitenzahl: 430
- Erscheinungstermin: 13. Mai 2016
- Englisch
- Abmessung: 216mm x 140mm x 22mm
- Gewicht: 494g
- ISBN-13: 9781138966864
- ISBN-10: 113896686X
- Artikelnr.: 57052005
Kevin N. Moll
Toward a Comprehensive View of Compositional Priorities in the Music of Dufay and His Contemporaries
Kevin N. Moll * Dufay-Creator of Fauxbourdon
from Acta Musicologica
Heinrich Besseler * Toward a History of the Genesis of Fauxbourdon
from Acta Musicologica
Rudolf von Ficker * Tonal Harmony and Full Sonority: A Reply to Rudolf von Ficker
from Acta Musicologica
Heinrich Besseler * Harmony in the Cantus-Firmus Compositions of the Fifteenth Century
from Archiv fÿr Musikwissenschaft
Bernhard Meier * The 'Tonal Discant' and 'Free Discant' Techniques of Composition in the Fifteenth Century
from Archiv fÿr Musikwissenschaft
Ernst Apfel * The Cantus-Firmus Question in the Fourteenth and Early Fifteenth Centuries
from Archiv fÿr Musikwissenschaft
Gÿnther Schmidt * The Origin of True Four-Voice Counterpoint in England
from Archiv fÿr Musikwissenschaft
Ernst ApfelFour-Voice Counterpoint in the Fourteenth and Fifteenth Centuries
from Archiv fÿr Musikwissenschaft
Ernst Apfel * The Harmonic Structure of Late Medieval Music as a Foundation of Major-Minor Tonality
from Die Musikforschung
Ernst Apfel * Late Medieval Harmonic Structure and Major-Minor Tonality
from Die Musikforschung
Ernst Apfel * Tonality and Harmony in the French Chanson between Machaut and Dufay
from Archiv fÿr Musikwissenschaft
Wolfgang Marggraf * The Effect of Medieval English Polyphony upon the Development of Continental and Cantus-Firmus Techniques and Tonal Structure
from Archiv fÿr Musikwissenschaft
Ernest H. Sanders Index. Appendix. Bibliography
Kevin N. Moll * Dufay-Creator of Fauxbourdon
from Acta Musicologica
Heinrich Besseler * Toward a History of the Genesis of Fauxbourdon
from Acta Musicologica
Rudolf von Ficker * Tonal Harmony and Full Sonority: A Reply to Rudolf von Ficker
from Acta Musicologica
Heinrich Besseler * Harmony in the Cantus-Firmus Compositions of the Fifteenth Century
from Archiv fÿr Musikwissenschaft
Bernhard Meier * The 'Tonal Discant' and 'Free Discant' Techniques of Composition in the Fifteenth Century
from Archiv fÿr Musikwissenschaft
Ernst Apfel * The Cantus-Firmus Question in the Fourteenth and Early Fifteenth Centuries
from Archiv fÿr Musikwissenschaft
Gÿnther Schmidt * The Origin of True Four-Voice Counterpoint in England
from Archiv fÿr Musikwissenschaft
Ernst ApfelFour-Voice Counterpoint in the Fourteenth and Fifteenth Centuries
from Archiv fÿr Musikwissenschaft
Ernst Apfel * The Harmonic Structure of Late Medieval Music as a Foundation of Major-Minor Tonality
from Die Musikforschung
Ernst Apfel * Late Medieval Harmonic Structure and Major-Minor Tonality
from Die Musikforschung
Ernst Apfel * Tonality and Harmony in the French Chanson between Machaut and Dufay
from Archiv fÿr Musikwissenschaft
Wolfgang Marggraf * The Effect of Medieval English Polyphony upon the Development of Continental and Cantus-Firmus Techniques and Tonal Structure
from Archiv fÿr Musikwissenschaft
Ernest H. Sanders Index. Appendix. Bibliography
Toward a Comprehensive View of Compositional Priorities in the Music of Dufay and His Contemporaries
Kevin N. Moll * Dufay-Creator of Fauxbourdon
from Acta Musicologica
Heinrich Besseler * Toward a History of the Genesis of Fauxbourdon
from Acta Musicologica
Rudolf von Ficker * Tonal Harmony and Full Sonority: A Reply to Rudolf von Ficker
from Acta Musicologica
Heinrich Besseler * Harmony in the Cantus-Firmus Compositions of the Fifteenth Century
from Archiv fÿr Musikwissenschaft
Bernhard Meier * The 'Tonal Discant' and 'Free Discant' Techniques of Composition in the Fifteenth Century
from Archiv fÿr Musikwissenschaft
Ernst Apfel * The Cantus-Firmus Question in the Fourteenth and Early Fifteenth Centuries
from Archiv fÿr Musikwissenschaft
Gÿnther Schmidt * The Origin of True Four-Voice Counterpoint in England
from Archiv fÿr Musikwissenschaft
Ernst ApfelFour-Voice Counterpoint in the Fourteenth and Fifteenth Centuries
from Archiv fÿr Musikwissenschaft
Ernst Apfel * The Harmonic Structure of Late Medieval Music as a Foundation of Major-Minor Tonality
from Die Musikforschung
Ernst Apfel * Late Medieval Harmonic Structure and Major-Minor Tonality
from Die Musikforschung
Ernst Apfel * Tonality and Harmony in the French Chanson between Machaut and Dufay
from Archiv fÿr Musikwissenschaft
Wolfgang Marggraf * The Effect of Medieval English Polyphony upon the Development of Continental and Cantus-Firmus Techniques and Tonal Structure
from Archiv fÿr Musikwissenschaft
Ernest H. Sanders Index. Appendix. Bibliography
Kevin N. Moll * Dufay-Creator of Fauxbourdon
from Acta Musicologica
Heinrich Besseler * Toward a History of the Genesis of Fauxbourdon
from Acta Musicologica
Rudolf von Ficker * Tonal Harmony and Full Sonority: A Reply to Rudolf von Ficker
from Acta Musicologica
Heinrich Besseler * Harmony in the Cantus-Firmus Compositions of the Fifteenth Century
from Archiv fÿr Musikwissenschaft
Bernhard Meier * The 'Tonal Discant' and 'Free Discant' Techniques of Composition in the Fifteenth Century
from Archiv fÿr Musikwissenschaft
Ernst Apfel * The Cantus-Firmus Question in the Fourteenth and Early Fifteenth Centuries
from Archiv fÿr Musikwissenschaft
Gÿnther Schmidt * The Origin of True Four-Voice Counterpoint in England
from Archiv fÿr Musikwissenschaft
Ernst ApfelFour-Voice Counterpoint in the Fourteenth and Fifteenth Centuries
from Archiv fÿr Musikwissenschaft
Ernst Apfel * The Harmonic Structure of Late Medieval Music as a Foundation of Major-Minor Tonality
from Die Musikforschung
Ernst Apfel * Late Medieval Harmonic Structure and Major-Minor Tonality
from Die Musikforschung
Ernst Apfel * Tonality and Harmony in the French Chanson between Machaut and Dufay
from Archiv fÿr Musikwissenschaft
Wolfgang Marggraf * The Effect of Medieval English Polyphony upon the Development of Continental and Cantus-Firmus Techniques and Tonal Structure
from Archiv fÿr Musikwissenschaft
Ernest H. Sanders Index. Appendix. Bibliography