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Céleste de Chabrillan became the most prolific female stage writer in nineteenth-century France. Forever haunted by her scandalous past, Céleste fought to hold her place in an artistic world dominated by men. This title tells the story not only of her struggle as a creative artist to survive and earn a living, but also of her fascinating life at the centre of the bohemian circles of Paris.

Produktbeschreibung
Céleste de Chabrillan became the most prolific female stage writer in nineteenth-century France. Forever haunted by her scandalous past, Céleste fought to hold her place in an artistic world dominated by men. This title tells the story not only of her struggle as a creative artist to survive and earn a living, but also of her fascinating life at the centre of the bohemian circles of Paris.
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Autorenporträt
Jana Verhoeven (lead author) is a researcher and teacher of French literature and history at the University of Melbourne. Her most recent publication is Jovial Bigotry: Max O'Rell and the Transnational Debate over Manners and Morals in 19th Century France, Britain and the United States. Jana has also published a number of articles on nineteenth century French cultural history, including Les deux noms and Petit journal de la fin de ma vie: Céleste de Chabrillan's mémoires inédits. Alan Willey read Modern Languages at Oxford and taught French at Wesley College Melbourne for over thirty years. He has been researching Céleste de Chabrillan's life since 1998. Jeanne Allen studied French language and literature at the University of Melbourne and wrote her Master of Arts thesis on a selection of the Australian works of Céleste de Chabrillan. In 1998, she co-translated and annotated Céleste's second set of memoirs, The French Consul's Wife. Jeanne is currently an Associate Professor in Education.