This book explores the theory and practice of medieval letter-writing, arguing that the form, proportion and style of letters were contoured by ideology.
This book explores the theory and practice of medieval letter-writing, arguing that the form, proportion and style of letters were contoured by ideology.
Part 1 Background to the Question Chapter 1 Framing the Facts in Medieval Epistolary Theory Chapter 2 Persuasion and Reception Chapter 3 Pope vs. Emperor: The Issues of Contention Part 2 Persuasion and Power at the Papal Chancery Chapter 4 Elevated Prose Style and Power at the Chancery of Innocent III Chapter 5 Harmony and Conflict at the Chancery of Honorius III Chapter 6 Limits of Persuasion at the Chancery of Gregory IX Part 3 Persuasion and Resistance at the Imperial Chancery Chapter 7 Emergence of a New Paradigm of Persuasion Chapter 8 Persuasion and the Science of Nature at the Court of Frederick II Chapter 9 The Failure of Persuasion Conclusion Bibliography Index
Part 1 Background to the Question Chapter 1 Framing the Facts in Medieval Epistolary Theory Chapter 2 Persuasion and Reception Chapter 3 Pope vs. Emperor: The Issues of Contention Part 2 Persuasion and Power at the Papal Chancery Chapter 4 Elevated Prose Style and Power at the Chancery of Innocent III Chapter 5 Harmony and Conflict at the Chancery of Honorius III Chapter 6 Limits of Persuasion at the Chancery of Gregory IX Part 3 Persuasion and Resistance at the Imperial Chancery Chapter 7 Emergence of a New Paradigm of Persuasion Chapter 8 Persuasion and the Science of Nature at the Court of Frederick II Chapter 9 The Failure of Persuasion Conclusion Bibliography Index
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