This collection of 19 original essays argues for a critical and sustained engagement between the fields of craft and heritage. The book's interdisciplinary and international array of authors consider how heritage and craft institutions, policies, practices and audiences encounter the constraints and opportunities of production, recognition and exhibition. Case studies spanning 125 years raise and address questions concerning authenticity and commodification, innovation and improvisation, diasporas and decolonization, global economies and national and professional identities. Authors also…mehr
This collection of 19 original essays argues for a critical and sustained engagement between the fields of craft and heritage. The book's interdisciplinary and international array of authors consider how heritage and craft institutions, policies, practices and audiences encounter the constraints and opportunities of production, recognition and exhibition. Case studies spanning 125 years raise and address questions concerning authenticity and commodification, innovation and improvisation, diasporas and decolonization, global economies and national and professional identities. Authors also analyse mechanisms through which craft mobilises and has been harnessed by heritage processes and designations. Examples range from an Irish village at the 1893 Chicago World's Fair and the role of chronopolitics in contemporary Vietnamese pottery, to the invisibility of crochet within Swedish heritagisation processes and the application of game theory in a ceramics museum. With section one considering citizenship and identity, section two sustainability and section three dynamic craft in cultural institutions, Craft and Heritage interrogates how craft objects, makers and processes intersect with current heritage concerns and practices.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Elaine Cheasley Paterson is Professor of Art History at Concordia University, Canada. Susan Surette is part-time Faculty at Concordia University, Canada and ceramic artist.
Inhaltsangabe
List of Figures Notes on Contributors Acknowledgements Introduction Susan Surette (Concordia University Canada) Section 1: Place and Belonging Introduction Susan Surette and Elaine Cheasley Paterson (Concordia University Canada) 1. Popular Heritage: 'Donegal Village' at the Chicago World's Fair 1893 Janice Helland (Queen's University Canada) 2. Sopon Bezirdjian Craft Heritage and Identity in Victorian Manchester Alyson Wharton-Durgaryan (University of Lincoln UK) 3. Empire Nation and Biên Hòa Ceramics: Craft as a Site of Chronopolitical Reproduction Thu-huong Nguyen-võ (UCLA USA) 4. The Unicorn and the Ground-Hornbill: Heritage in the Keiskamma Art Project's Intsikizi Tapestries Brenda Schmahmann ( University of Johannesburg South Africa) 5. Latin-American and Latin-Canadian Textile Practices: Art Activism and Diasporic Identity Nuria de Grammont (Concordia University Canada) and Maria Ezcurra (McGill University Canada) Section 2: Sustainability and Resilience Introduction Susan Surette and Elaine Cheasley Paterson (Concordia University Canada) 6. Blessed are the Cheese Makers: A Cultural History of Cheese in Early-Twentieth Century Ireland Eleanor Flegg (writer Ireland) 7. Piecing Heritage in Transition: The Lakota Sioux Star Quilt as a Symbol of Pan-Indigeneity Lisa Binkley (Dalhousie University Canada) 8. A Cart Before a Horse: How the Subfield of Traditional Workmanship is Transforming the Field of Heritage Conservation Giedre Jarulaitiene (Norwegian University of Science and Technology Norway) 9. Becoming Heritage Smart: Negotiating the Dilemma of Craft Practice in a Ceramic Center Magdalena Buchczyk (Humboldt University of Berlin Germany) 10. Postcolonial and Global Heritage Narratives from Communal and Individual Perspectives in Dumbara Weaving - Sri Lanka Chamithri Greru (UAL UK) and Britta Kalkreuter (Heriot-Watt University Scotland) Section 3: Collections and Cultural Institutions Introduction Susan Surette and Elaine Cheasley Paterson (Concordia University Canada) 11. Canadian Women China Painters: Artists and Amateurs Rachel Gotlieb (Sheridan College Canada) 12. Crafting Civic Engagement? How Heritage Lottery Funding Reframed Watts Gallery: Artists' Village Elaine Cheasley Paterson (Concordia University Canada) 13. Craft as Performance in China's Porcelain Heritage Capital Maris Gillette (University of Gothenburg Sweden) 14. Craft Narratives from Heritage Sites in Buganda Maureen Muwanga Senoga (Kyambogo University Uganda) 15. Hunting for Lost Crafts: The Contemporary Value of Intangible Cultural Heritage in Scotland Juliette MacDonald (Edinburgh College of Art UK)
List of Figures Notes on Contributors Acknowledgements Introduction Susan Surette (Concordia University Canada) Section 1: Place and Belonging Introduction Susan Surette and Elaine Cheasley Paterson (Concordia University Canada) 1. Popular Heritage: 'Donegal Village' at the Chicago World's Fair 1893 Janice Helland (Queen's University Canada) 2. Sopon Bezirdjian Craft Heritage and Identity in Victorian Manchester Alyson Wharton-Durgaryan (University of Lincoln UK) 3. Empire Nation and Biên Hòa Ceramics: Craft as a Site of Chronopolitical Reproduction Thu-huong Nguyen-võ (UCLA USA) 4. The Unicorn and the Ground-Hornbill: Heritage in the Keiskamma Art Project's Intsikizi Tapestries Brenda Schmahmann ( University of Johannesburg South Africa) 5. Latin-American and Latin-Canadian Textile Practices: Art Activism and Diasporic Identity Nuria de Grammont (Concordia University Canada) and Maria Ezcurra (McGill University Canada) Section 2: Sustainability and Resilience Introduction Susan Surette and Elaine Cheasley Paterson (Concordia University Canada) 6. Blessed are the Cheese Makers: A Cultural History of Cheese in Early-Twentieth Century Ireland Eleanor Flegg (writer Ireland) 7. Piecing Heritage in Transition: The Lakota Sioux Star Quilt as a Symbol of Pan-Indigeneity Lisa Binkley (Dalhousie University Canada) 8. A Cart Before a Horse: How the Subfield of Traditional Workmanship is Transforming the Field of Heritage Conservation Giedre Jarulaitiene (Norwegian University of Science and Technology Norway) 9. Becoming Heritage Smart: Negotiating the Dilemma of Craft Practice in a Ceramic Center Magdalena Buchczyk (Humboldt University of Berlin Germany) 10. Postcolonial and Global Heritage Narratives from Communal and Individual Perspectives in Dumbara Weaving - Sri Lanka Chamithri Greru (UAL UK) and Britta Kalkreuter (Heriot-Watt University Scotland) Section 3: Collections and Cultural Institutions Introduction Susan Surette and Elaine Cheasley Paterson (Concordia University Canada) 11. Canadian Women China Painters: Artists and Amateurs Rachel Gotlieb (Sheridan College Canada) 12. Crafting Civic Engagement? How Heritage Lottery Funding Reframed Watts Gallery: Artists' Village Elaine Cheasley Paterson (Concordia University Canada) 13. Craft as Performance in China's Porcelain Heritage Capital Maris Gillette (University of Gothenburg Sweden) 14. Craft Narratives from Heritage Sites in Buganda Maureen Muwanga Senoga (Kyambogo University Uganda) 15. Hunting for Lost Crafts: The Contemporary Value of Intangible Cultural Heritage in Scotland Juliette MacDonald (Edinburgh College of Art UK)
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