49,99 €
inkl. MwSt.
Versandkostenfrei*
Versandfertig in 2-4 Wochen
  • Gebundenes Buch

"Christine Guth offers a brilliant new perspective on early modern Japanese craft. She shatters the myth of unchanging traditions by demonstrating how craft communities were innovative, well networked, and responsive to sustainability. This astute and engaging study shifts the focus from elite patrons to bring clarity to the networks, materials, and processes of craftmakers."--Sherry Fowler, Professor of Japanese Art History, University of Kansas "This is a field-shifting work. It reflects the author's immense expertise in the historical study of Japanese visual and material cultures and gives…mehr

Produktbeschreibung
"Christine Guth offers a brilliant new perspective on early modern Japanese craft. She shatters the myth of unchanging traditions by demonstrating how craft communities were innovative, well networked, and responsive to sustainability. This astute and engaging study shifts the focus from elite patrons to bring clarity to the networks, materials, and processes of craftmakers."--Sherry Fowler, Professor of Japanese Art History, University of Kansas "This is a field-shifting work. It reflects the author's immense expertise in the historical study of Japanese visual and material cultures and gives us a richer and more multivalent and multisensory understanding of the often essentialized category of 'craft.'"--Gregory Levine, Professor of Art History, University of California, Berkeley
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Autorenporträt
Christine M. E. Guth led the Asian specialism in the Victoria and Albert Museum and Royal College of Art's History of Design Program from 2007 to 2016. Her books include Art, Tea, and Industry: Masuda Takashi and the Mitsui Circle; Art of Edo Japan: The Artist and the City 1615-1868; and Hokusai's Great Wave: Biography of a Global Icon.