Craft is Political - Wood, D (Independent Scholar, Canada)
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Throughout the 21st century, various craft practices have drawn the attention of academics and the general public in the West. In Craft is Political, D Wood has gathered a collection of essays to argue that this attention is a direct response to and critique of the particular economic, social and technological contexts in which we live. Just as John Ruskin and William Morris viewed craft and its ethos in the 1800s as a kind of political opposition to the Industrial Revolution, Wood and her authors contend that current craft activities are politically saturated when perspectives from the Global…mehr

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Produktbeschreibung
Throughout the 21st century, various craft practices have drawn the attention of academics and the general public in the West. In Craft is Political, D Wood has gathered a collection of essays to argue that this attention is a direct response to and critique of the particular economic, social and technological contexts in which we live. Just as John Ruskin and William Morris viewed craft and its ethos in the 1800s as a kind of political opposition to the Industrial Revolution, Wood and her authors contend that current craft activities are politically saturated when perspectives from the Global South, Indigenous ideology and even Western government policy are examined. Craft is Political argues that a holistic perspective on craft, in light of colonialism, post-colonialism, critical race theory and globalization, is overdue. A great diversity of case studies is included, from craft and design in Turkey and craft markets in New Zealand to Indigenous practitioners in Taiwan and Finnish craft education. Craft is Political brings together authors from a variety of disciplines and nations to consider politicized craft.
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Autorenporträt
D Wood is an independent craft and design scholar and currently teaches at OCAD University, Canada. Wood earned a PhD in Design Studies in 2012 at the University of Orago, New Zealand, and has an MFA in Furniture Design from the Rhode Island School of Design, USA. Her profiles of craft practitioners and reviews of exhibitions and books have appeared in an international array of publications, including American Craft, Ceramic Review, Fiberarts , Fine Woodworking, Metalsmith, Neues Glas and Textile Forum. She is also the editor of, and contributor to, Craft is Political (Bloomsbury, 2021).