Crafting Autoethnography
Processes and Practices of Making Self and Culture
Herausgeber: Goode, Jackie; Bradford, Jan; Lumsden, Karen
Crafting Autoethnography
Processes and Practices of Making Self and Culture
Herausgeber: Goode, Jackie; Bradford, Jan; Lumsden, Karen
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This collection explores how autoethnography is made. Contributors reflect on the processes they engage in as they craft their autoethnographic artefacts. Each chapter explores a different material or media, together creating a rich and stimulating set of demonstrations, with focus on the practical accomplishment of texts/artefacts.
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This collection explores how autoethnography is made. Contributors reflect on the processes they engage in as they craft their autoethnographic artefacts. Each chapter explores a different material or media, together creating a rich and stimulating set of demonstrations, with focus on the practical accomplishment of texts/artefacts.
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 242
- Erscheinungstermin: 11. Mai 2023
- Englisch
- Abmessung: 234mm x 156mm x 16mm
- Gewicht: 535g
- ISBN-13: 9781032313320
- ISBN-10: 1032313323
- Artikelnr.: 67402117
- Verlag: Routledge
- Seitenzahl: 242
- Erscheinungstermin: 11. Mai 2023
- Englisch
- Abmessung: 234mm x 156mm x 16mm
- Gewicht: 535g
- ISBN-13: 9781032313320
- ISBN-10: 1032313323
- Artikelnr.: 67402117
Jackie Goode is a Visiting Fellow in Qualitative Research in the School of Social Sciences and Humanities, Loughborough University, UK. Karen Lumsden is a Lecturer in Sociology at the University of Aberdeen, UK. Jan Bradford completed her PhD at the University of Edinburgh, UK, and is an independent researcher.
Introduction; Section I: This Writing Life 1. Shoring Up the Fragments 2.
When the Slave Ships Came; Section II: Making a Drama Out of It Chapter 3.
Reflections and Confessions on the Making of a Performative
Autoethnography: University Professional Development Reviews and the
Academic Self 4. Mi amigo Giovanni: A Digital Engagement of Friendship,
Community and Queer Love Through a Zoom Performance; Section III: Crafting
Selves 5. Thinking with our Hands while Becoming Autoethnographers 6.
Putting Ourselves in the Picture: An Autoethnographic Approach to
Photography Criticism 7. Digital Autoethnography: An Approach to Facilitate
Reflective Practice in the Making and Performing of Visual Art 8. Stitching
as Reflection and Resistance: The Use of a Stitch Journal During Doctoral
Study 9. Making The Dreamer: Cut-ups, Découpage and Narrative Assemblages
of Interbeing and Becoming; Section IV: Creating Class 10. Hidden Time: An
Autoethnographical Narrative on the Creation of Seven Working-Class Time
Pieces 11: Coming Back to Class: The Remaking of an Academic Self; Section
V: Place and Belonging 12. Walking as Knowing, Healing, and the (Re)making
of Self 13. Where the River Flows Out to the Sea: A Story of Place-Making
14. Making Mistakes: Learning Through Embarrassment when Curating
Indigenous Collections in UK Museums; Conclusion
When the Slave Ships Came; Section II: Making a Drama Out of It Chapter 3.
Reflections and Confessions on the Making of a Performative
Autoethnography: University Professional Development Reviews and the
Academic Self 4. Mi amigo Giovanni: A Digital Engagement of Friendship,
Community and Queer Love Through a Zoom Performance; Section III: Crafting
Selves 5. Thinking with our Hands while Becoming Autoethnographers 6.
Putting Ourselves in the Picture: An Autoethnographic Approach to
Photography Criticism 7. Digital Autoethnography: An Approach to Facilitate
Reflective Practice in the Making and Performing of Visual Art 8. Stitching
as Reflection and Resistance: The Use of a Stitch Journal During Doctoral
Study 9. Making The Dreamer: Cut-ups, Découpage and Narrative Assemblages
of Interbeing and Becoming; Section IV: Creating Class 10. Hidden Time: An
Autoethnographical Narrative on the Creation of Seven Working-Class Time
Pieces 11: Coming Back to Class: The Remaking of an Academic Self; Section
V: Place and Belonging 12. Walking as Knowing, Healing, and the (Re)making
of Self 13. Where the River Flows Out to the Sea: A Story of Place-Making
14. Making Mistakes: Learning Through Embarrassment when Curating
Indigenous Collections in UK Museums; Conclusion
Introduction; Section I: This Writing Life 1. Shoring Up the Fragments 2.
When the Slave Ships Came; Section II: Making a Drama Out of It Chapter 3.
Reflections and Confessions on the Making of a Performative
Autoethnography: University Professional Development Reviews and the
Academic Self 4. Mi amigo Giovanni: A Digital Engagement of Friendship,
Community and Queer Love Through a Zoom Performance; Section III: Crafting
Selves 5. Thinking with our Hands while Becoming Autoethnographers 6.
Putting Ourselves in the Picture: An Autoethnographic Approach to
Photography Criticism 7. Digital Autoethnography: An Approach to Facilitate
Reflective Practice in the Making and Performing of Visual Art 8. Stitching
as Reflection and Resistance: The Use of a Stitch Journal During Doctoral
Study 9. Making The Dreamer: Cut-ups, Découpage and Narrative Assemblages
of Interbeing and Becoming; Section IV: Creating Class 10. Hidden Time: An
Autoethnographical Narrative on the Creation of Seven Working-Class Time
Pieces 11: Coming Back to Class: The Remaking of an Academic Self; Section
V: Place and Belonging 12. Walking as Knowing, Healing, and the (Re)making
of Self 13. Where the River Flows Out to the Sea: A Story of Place-Making
14. Making Mistakes: Learning Through Embarrassment when Curating
Indigenous Collections in UK Museums; Conclusion
When the Slave Ships Came; Section II: Making a Drama Out of It Chapter 3.
Reflections and Confessions on the Making of a Performative
Autoethnography: University Professional Development Reviews and the
Academic Self 4. Mi amigo Giovanni: A Digital Engagement of Friendship,
Community and Queer Love Through a Zoom Performance; Section III: Crafting
Selves 5. Thinking with our Hands while Becoming Autoethnographers 6.
Putting Ourselves in the Picture: An Autoethnographic Approach to
Photography Criticism 7. Digital Autoethnography: An Approach to Facilitate
Reflective Practice in the Making and Performing of Visual Art 8. Stitching
as Reflection and Resistance: The Use of a Stitch Journal During Doctoral
Study 9. Making The Dreamer: Cut-ups, Découpage and Narrative Assemblages
of Interbeing and Becoming; Section IV: Creating Class 10. Hidden Time: An
Autoethnographical Narrative on the Creation of Seven Working-Class Time
Pieces 11: Coming Back to Class: The Remaking of an Academic Self; Section
V: Place and Belonging 12. Walking as Knowing, Healing, and the (Re)making
of Self 13. Where the River Flows Out to the Sea: A Story of Place-Making
14. Making Mistakes: Learning Through Embarrassment when Curating
Indigenous Collections in UK Museums; Conclusion