Examines the ways documentaries such as Fahrenheit 9/11, Spellbound, and March of the Penguins tell their stories; how they use the camera, editing, sound, and performance; what rhetorical devices they employ; and what the theoretical, practical, and ethical implications of these choices are.
Examines the ways documentaries such as Fahrenheit 9/11, Spellbound, and March of the Penguins tell their stories; how they use the camera, editing, sound, and performance; what rhetorical devices they employ; and what the theoretical, practical, and ethical implications of these choices are.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
LOUISE SPENCE is a professor of cinema studies at Kadir Has University in Istanbul and the coauthor of the award-winning Writing Himself into History: Oscar Micheaux, His Silent Films, and His Audiences (Rutgers University Press). VINICIUS NAVARRO is an assistant professor of film studies at the Georgia Institute of Technology.
Inhaltsangabe
Acknowledgements Introduction PART ONE. GENERAL CONCEPTS 1. Authenticity 2. Evidence 3. Authority 4. Responsibility PART TWO. STRUCTURAL ORGANIZATION 5. Argument 6. Dramatic Stories, Poetic and Essay Documentaries PART THREE. FORMAL TECHNIQUES 7. Editing 8. Camerawork 9. The Profilmic 10. Sounds (coauthored with Carl Lewis) Index
Acknowledgements Introduction PART ONE. GENERAL CONCEPTS 1. Authenticity 2. Evidence 3. Authority 4. Responsibility PART TWO. STRUCTURAL ORGANIZATION 5. Argument 6. Dramatic Stories, Poetic and Essay Documentaries PART THREE. FORMAL TECHNIQUES 7. Editing 8. Camerawork 9. The Profilmic 10. Sounds (coauthored with Carl Lewis) Index
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