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Examines the ways documentaries such as Fahrenheit 9/11, Spellbound, and March of the Penguins tell their stories; how they use the camera, editing, sound, and performance; what rhetorical devices they employ; and what the theoretical, practical, and ethical implications of these choices are.

Produktbeschreibung
Examines the ways documentaries such as Fahrenheit 9/11, Spellbound, and March of the Penguins tell their stories; how they use the camera, editing, sound, and performance; what rhetorical devices they employ; and what the theoretical, practical, and ethical implications of these choices are.
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Autorenporträt
LOUISE SPENCE is a professor of cinema studies at Kadir Has University in Istanbul and the coauthor of the award-winning Writing Himself into History: Oscar Micheaux, His Silent Films, and His Audiences (Rutgers University Press). VINICIUS NAVARRO is an assistant professor of film studies at the Georgia Institute of Technology.