Creating a Streaming Video Collection for Your Library covers the main processes associated with streaming video, from licensing to access and evaluation, and will serve as a key reference and source of best practices for libraries adding streaming video titles to their collections.
Creating a Streaming Video Collection for Your Library covers the main processes associated with streaming video, from licensing to access and evaluation, and will serve as a key reference and source of best practices for libraries adding streaming video titles to their collections.
Cheryl J. Duncan is director of Acquisitions & Cataloging at James Madison University where she negotiates contracts and licenses for e-resources and streaming media. Erika Day Peterson is director of Media Resources at James Madison University. In addition to managing the Media Resources Center, she is responsible for the selection and maintenance of the video collection, including streaming video.
Inhaltsangabe
ACKNOWLEDGEMENTS INTRODUCTION Chapter 1 Selection Section 1.1 Individual Titles Section 1.2 Subscription Packages and Purchased Collections Section 1.3 Independent Film Distributors and Major Studios Chapter 2 Licensing Section 2.1 Right to Digitize Content Section 2.2 Acquiring a Streamed File Section 2.3 Hosted Content Section 2.4 Consortia Section 2.5 Receipt & Payment Chapter 3 Non-Licensed Content Section 3.1 Videos on the Web Section 3.2 Copyright, Fair Use, and the TEACH Act Section 3.3 International Copyright Laws and National Treatment Chapter 4 Access Section 4.1 Vendor Platform Implementation Section 4.2 Digitization and Streaming Section 4.3 Content Systems and Discovery Tools Section 4.4 Accessibility Chapter 5 The Media Server Section 5.1 Streaming Digital Media Files Section 5.2 Factors to Consider Section 5.3 Hosted Solutions Section 5.4 Setting Up a Local Server Chapter 6 Metadata Section 6.1 MARC (AACR2 and RDA) Section 6.2 Dublin Core Section 6.3 METS Section 6.4 MODS Section 6.5 MPEG-7 Section 6.6 MPEG-21 Section 6.7 PBCore Section 6.8 VRA Core Chapter 7 Administration Section 7.1 ERM Section 7.2 Class Use and Course Reserves Chapter 8 Support Chapter 9 Evaluation Section 9.1 Use Statistics Section 9.2 User Feedback Section 9.3 Vendor Assessment Chapter 10 Future Additional Resources Appendix A Frequently Asked Questions Appendix B Sample License Appendix C FAQ for Patrons Appendix D Suggested ERM Fields Appendix E Checklist for Troubleshooting Appendix F Vendor List Author Biographies Index
ACKNOWLEDGEMENTS INTRODUCTION Chapter 1 Selection Section 1.1 Individual Titles Section 1.2 Subscription Packages and Purchased Collections Section 1.3 Independent Film Distributors and Major Studios Chapter 2 Licensing Section 2.1 Right to Digitize Content Section 2.2 Acquiring a Streamed File Section 2.3 Hosted Content Section 2.4 Consortia Section 2.5 Receipt & Payment Chapter 3 Non-Licensed Content Section 3.1 Videos on the Web Section 3.2 Copyright, Fair Use, and the TEACH Act Section 3.3 International Copyright Laws and National Treatment Chapter 4 Access Section 4.1 Vendor Platform Implementation Section 4.2 Digitization and Streaming Section 4.3 Content Systems and Discovery Tools Section 4.4 Accessibility Chapter 5 The Media Server Section 5.1 Streaming Digital Media Files Section 5.2 Factors to Consider Section 5.3 Hosted Solutions Section 5.4 Setting Up a Local Server Chapter 6 Metadata Section 6.1 MARC (AACR2 and RDA) Section 6.2 Dublin Core Section 6.3 METS Section 6.4 MODS Section 6.5 MPEG-7 Section 6.6 MPEG-21 Section 6.7 PBCore Section 6.8 VRA Core Chapter 7 Administration Section 7.1 ERM Section 7.2 Class Use and Course Reserves Chapter 8 Support Chapter 9 Evaluation Section 9.1 Use Statistics Section 9.2 User Feedback Section 9.3 Vendor Assessment Chapter 10 Future Additional Resources Appendix A Frequently Asked Questions Appendix B Sample License Appendix C FAQ for Patrons Appendix D Suggested ERM Fields Appendix E Checklist for Troubleshooting Appendix F Vendor List Author Biographies Index
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