Creating Sounds from Scratch is a practical, in-depth resource on the most common forms of music synthesis. It includes historical context, an overview of concepts in sound and hearing, and practical training examples to help sound designers and electronic music producers to effectively manipulate presets and create new sounds from scratch.
Creating Sounds from Scratch is a practical, in-depth resource on the most common forms of music synthesis. It includes historical context, an overview of concepts in sound and hearing, and practical training examples to help sound designers and electronic music producers to effectively manipulate presets and create new sounds from scratch.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Andrea Pejrolo is Chair of the Contemporary Writing and Production department at Berklee College of Music in Boston. He is the author of Creative Sequencing Techniques for Music Production (Focal Press, 2005, Second Edition 2011) and Acoustic and MIDI Orchestration for the Contemporary Composer (Focal Press, 2007). Scott Metcalfe is Director of Recording Arts and Sciences at the Peabody Conservatory of The Johns Hopkins University.
Inhaltsangabe
Acknowledgments About the Companion Website Introduction Chapter 1: How did we get here? Chapter 2 - Understanding Sound and Hearing Chapter 3: The Tools of the Trade Chapter 4: Subtractive Synthesis Chapter 5: Frequency Modulation Synthesis (FM) Chapter 6: Additive Synthesis Chapter 7: Sample-based Synthesis Chapter 8 -- Physical Modeling Chapter 9: Wavetable and Granular Synthesis Index
Acknowledgments About the Companion Website Introduction Chapter 1: How did we get here? Chapter 2 - Understanding Sound and Hearing Chapter 3: The Tools of the Trade Chapter 4: Subtractive Synthesis Chapter 5: Frequency Modulation Synthesis (FM) Chapter 6: Additive Synthesis Chapter 7: Sample-based Synthesis Chapter 8 -- Physical Modeling Chapter 9: Wavetable and Granular Synthesis Index
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