Creating the Divine Artist: From Dante to Michelangelo - Emison, Patricia
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An investigation of why Michelangelo first, and then many other, Renaissance artists and works were called "divine" by contemporaries, this study ranges from fourteenth-century praise of Dante to a variety of sixteenth-century habits of courtly compliment.

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Produktbeschreibung
An investigation of why Michelangelo first, and then many other, Renaissance artists and works were called "divine" by contemporaries, this study ranges from fourteenth-century praise of Dante to a variety of sixteenth-century habits of courtly compliment.
Autorenporträt
Patricia Emison, Ph.D. (1985) in the History of Art, Columbia University, is Professor at the University of New Hampshire. She specializes in the history of Italian Renaissance prints and is the author of Low and High Style in Italian Renaissance Art (Garland, 1997).