Creating the Jazz Solo - Hobson, Vic
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Throughout his life, Louis Armstrong tried to explain how singing with a barbershop quartet on the streets of New Orleans was foundational to his musicianship. Creating the Jazz Solo shows that Armstrong understood exactly the relationship between what he sang and what he played, and that he he was singing through his horn.

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Produktbeschreibung
Throughout his life, Louis Armstrong tried to explain how singing with a barbershop quartet on the streets of New Orleans was foundational to his musicianship. Creating the Jazz Solo shows that Armstrong understood exactly the relationship between what he sang and what he played, and that he he was singing through his horn.
Autorenporträt
Vic Hobson was awarded a Kluge Scholarship to the Library of Congress in 2007 and a Woest Fellowship to the Historic New Orleans Collection in 2009. A trustee for the National Jazz Archive, his own work has appeared in American Music, Jazz Perspectives, and the Jazz Archivist. He is author of Creating Jazz Counterpoint: New Orleans, Barbershop Harmony, and the Blues , also published by University Press of Mississippi.