This examination of the Iranian popular culture and women's role within this challenges familiar western assumptions about the complexities of Iranian popular culture. Presenting a wealth of information drawn from a diverse set of sources, it situates Iranian women's magazines within their broader economic, social, political and cultural context.
This examination of the Iranian popular culture and women's role within this challenges familiar western assumptions about the complexities of Iranian popular culture. Presenting a wealth of information drawn from a diverse set of sources, it situates Iranian women's magazines within their broader economic, social, political and cultural context.
Liora Hendelman-Baavur is a Lecturer in the Department of Middle Eastern and African History at Tel Aviv University. She is the co-author (with David Menashri) of Iran: Anatomy of a Revolution (2009, in Hebrew).
Inhaltsangabe
Introduction Part I. Magazines in the Making: 1. The legacy of the past 2. Circulation, commercialization and state intervention 3. Reproduction, patronage and readership Part II. Agents of Correlation and Change: 4. Family guidance, domestic technology and the modern housewife 5. Youth culture and the new bi-hejab girl 6. Exogamy, brain drain and the western woman 7. Queen, working mother and the making of the Royal family.
Introduction Part I. Magazines in the Making: 1. The legacy of the past 2. Circulation, commercialization and state intervention 3. Reproduction, patronage and readership Part II. Agents of Correlation and Change: 4. Family guidance, domestic technology and the modern housewife 5. Youth culture and the new bi-hejab girl 6. Exogamy, brain drain and the western woman 7. Queen, working mother and the making of the Royal family.
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