Creation and Creativity in Medieval Art - Fricke, Beate
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Creation imagery in manuscripts made in the Middle Ages becomes a locus for visual experimentation as well as the expression of ideas about creativity in artistic endeavors. It links medieval ideas about creation, and the characteristic of the Divine Creator and the act of creation with themes in medieval thought about the work of medieval artists, by examining representations of divine creation and illustrations of the creation stories in Genesis. Case studies from manuscripts illuminating the creation dating from the eleventh to the fourteenth century (Junius 11/The Cædmon Manuscript, Roda…mehr

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Produktbeschreibung
Creation imagery in manuscripts made in the Middle Ages becomes a locus for visual experimentation as well as the expression of ideas about creativity in artistic endeavors. It links medieval ideas about creation, and the characteristic of the Divine Creator and the act of creation with themes in medieval thought about the work of medieval artists, by examining representations of divine creation and illustrations of the creation stories in Genesis. Case studies from manuscripts illuminating the creation dating from the eleventh to the fourteenth century (Junius 11/The Cædmon Manuscript, Roda Bible & Ripoll Bible, Bible moralisées, Hamburg Bible, Holkhalm Bible) reveal self-reflective moments of medieval artists relating artistic invention and theological debates about creation. The author identifies traces of the artists' thinking in their own work and then contextualizes those visual cues within the context of philosophical arguments about the creation of the world. The author considers how Western medieval artists, in inventing original illuminations and experimenting with new representational modes, suggest potential analogies between their own work, God's acts of creation, and nature's generative force.
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Autorenporträt
Before joining the University of Bern (Switzerland) in 2017, Beate Fricke was Professor for Medieval Art at the University of California, Berkeley. Her research focuses on the history of cultural heritage, sculpture, image theories, and objects as archives of a history of applied arts, materiality, knowledge transfer and trade in the global "Middle Ages". Together with Finbarr Barry Flood she co-authored the monograph Tales things Tell. Material Histories of Early Globalisms, 2023. She was Principal investigator of the research project Global Horizons in Pre-Modern Art (ERC) and is leading the project The Inheritance of Looting. Medieval Trophies to Modern Museums (SNF). She is founder and Editor-in-chief of the journal 21: Inquiries into Art, History, and the Visual. Beiträge zur Kunstgeschichte und Visuellen Kultur (link: https: //21-inquiries.eu/en)