There has been much written on the new creative economy, but most work focuses on the so-called 'creative class,' with lifestyle preferences that favor trendy new restaurants, mountain biking, and late night clubbing. This 'creative class,' flagship cultural destinations, and other forms of commodity-driven cultural production, now occupy a relatively uncritical place in the revitalization schemes of most cities up and down the urban hierarchy. In contrast, this book focuses on small- to medium-size post-industrial cities in the US, Canada, and Europe that are trying to redress the effects of…mehr
There has been much written on the new creative economy, but most work focuses on the so-called 'creative class,' with lifestyle preferences that favor trendy new restaurants, mountain biking, and late night clubbing. This 'creative class,' flagship cultural destinations, and other forms of commodity-driven cultural production, now occupy a relatively uncritical place in the revitalization schemes of most cities up and down the urban hierarchy. In contrast, this book focuses on small- to medium-size post-industrial cities in the US, Canada, and Europe that are trying to redress the effects of deindustrialization and economic decline through cultural economic regeneration.
Chapter 1: Introduction: Examining the Creative Economy in Post-Industrial Cities: Alternatives to Blueprinting Soho; Part I: Exploring Alternatives to the Cultural "Buzz"; Chapter 2: Scale, Sociality and Serendipity in Providence, Rhode Island's Post-Industrial Renaissance; Chapter 3: "Lofty Artists" vs. "El Oro del Barrio": Crafting Community and a Sustainable Economic Future in the Paper City; Chapter 4: From Post to Poster to Post-Industrial: Cultural Networks and Eclectic Creative Practice in Peterborough and Thunder Bay, Ontario; Chapter 5: Learning from the Post-Industrial Transition in Northern England: Alternative Developments in the Visual Arts (1979-2008); Chapter 6: Halo over Barnsley: Centering the Margins in the Transformation of a Former Mining Community; Part II: Moving Beyond Neoliberal Methodologies in the Study and Practice of Creative Economy Planning; Chapter 7: Creative Revitalization as a Community Affair; Chapter 8: Creative Communities and Everyone Else: Towards a Dialogic Understanding of Creativity after Liverpool's Capital of Culture Year; Chapter 9: Active Ageing: Creative Interventions in Urban Regeneration; Chapter 10: Access as the "Gorgeous Norm": Creating Spaces that Inspire Ownership through Occupation; Chapter 11: Afterword: Moving towards "Creative Sustainability" in Post-Industrial Communities
Chapter 1: Introduction: Examining the Creative Economy in Post-Industrial Cities: Alternatives to Blueprinting Soho; Part I: Exploring Alternatives to the Cultural "Buzz"; Chapter 2: Scale, Sociality and Serendipity in Providence, Rhode Island's Post-Industrial Renaissance; Chapter 3: "Lofty Artists" vs. "El Oro del Barrio": Crafting Community and a Sustainable Economic Future in the Paper City; Chapter 4: From Post to Poster to Post-Industrial: Cultural Networks and Eclectic Creative Practice in Peterborough and Thunder Bay, Ontario; Chapter 5: Learning from the Post-Industrial Transition in Northern England: Alternative Developments in the Visual Arts (1979-2008); Chapter 6: Halo over Barnsley: Centering the Margins in the Transformation of a Former Mining Community; Part II: Moving Beyond Neoliberal Methodologies in the Study and Practice of Creative Economy Planning; Chapter 7: Creative Revitalization as a Community Affair; Chapter 8: Creative Communities and Everyone Else: Towards a Dialogic Understanding of Creativity after Liverpool's Capital of Culture Year; Chapter 9: Active Ageing: Creative Interventions in Urban Regeneration; Chapter 10: Access as the "Gorgeous Norm": Creating Spaces that Inspire Ownership through Occupation; Chapter 11: Afterword: Moving towards "Creative Sustainability" in Post-Industrial Communities
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