Creative labour has become a growing area of the market, and of management study. Alan McKinlayand Chris Smith have compiledthe first book to look at the creative industries from a labour process perspective. The text concludes with an authoritative investigation into managing new media workers.
Creative labour has become a growing area of the market, and of management study. Alan McKinlayand Chris Smith have compiledthe first book to look at the creative industries from a labour process perspective. The text concludes with an authoritative investigation into managing new media workers.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
PART I: THEORY AND OVERVIEW.- Introduction: Labour Process Analysis and Creative Industries; C.Smith& A.McKinlay.- Creative Labour: Contract, Content and Control; C.Smith& A.McKinlay.- From Conception to Consumption: Creativity and the Missing Managerial Link; P.Thompson, M.Jones& C.Warhurst.- Working in the Creative Economy Risk, Adaptation, and the Persistence of Exclusionary Networks; S.Christopherson.- PART II: CREATIVE LABOUR AND PRACTICE.- Film, Theatre and Television.- Still a 'Perfect World for Capital'? K.Randle& N.Culkin.- I Don't Know Where You Learn Them: Skills in Film and TV; I.Grugulis& D.Stoyanova.- Bringing Creativity to Market: Actors as Self-Employed Employees; A.Haunschild& D.Eikhof.- Making 'The Bits Between the Adverts: Management, Collective Bargaining and Work in Commercial Television, 1979-2005; A.McKinlay& B.Quinn.- PART III: NEW MEDIA.- Situating New Media Production: San Francisco, 1995-2000; A.Pratt.- Beyond the Hype: Working in the German Internet Industry; N.Mayer-Ahuja& H.Wolf.- The Organisation of Creativity: Content, Contracts and Control in Swedish Interactive Media Production; F.Augustsson& Å.Sandberg.
PART I: THEORY AND OVERVIEW - Introduction: Labour Process Analysis and Creative Industries; C.Smith & A.McKinlay - Creative Labour: Contract, Content and Control; C.Smith & A.McKinlay - From Conception to Consumption: Creativity and the Missing Managerial Link; P.Thompson, M.Jones & C.Warhurst - Working in the Creative Economy Risk, Adaptation, and the Persistence of Exclusionary Networks; S.Christopherson - PART II: CREATIVE LABOUR AND PRACTICE - Film, Theatre and Television - Still a 'Perfect World for Capital'? K.Randle & N.Culkin - I Donbt Know Where You Learn Them: Skills in Film and TV; I.Grugulis & D.Stoyanova - Bringing Creativity to Market: Actors as Self-Employed Employees; A.Haunschild & D.Eikhof - Making bThe Bits Between the Adverts: Management, Collective Bargaining and Work in Commercial Television, 1979-2005; A.McKinlay & B.Quinn - PART III: NEW MEDIA - Situating New Media Production: San Francisco, 1995-2000; A.Pratt - Beyond the Hype: Working in the German Internet Industry; N.Mayer-Ahuja & H.Wolf - The Organisation of Creativity: Content, Contracts and Control in Swedish Interactive Media Production; F.Augustsson & C.Sandberg
PART I: THEORY AND OVERVIEW.- Introduction: Labour Process Analysis and Creative Industries; C.Smith& A.McKinlay.- Creative Labour: Contract, Content and Control; C.Smith& A.McKinlay.- From Conception to Consumption: Creativity and the Missing Managerial Link; P.Thompson, M.Jones& C.Warhurst.- Working in the Creative Economy Risk, Adaptation, and the Persistence of Exclusionary Networks; S.Christopherson.- PART II: CREATIVE LABOUR AND PRACTICE.- Film, Theatre and Television.- Still a 'Perfect World for Capital'? K.Randle& N.Culkin.- I Don't Know Where You Learn Them: Skills in Film and TV; I.Grugulis& D.Stoyanova.- Bringing Creativity to Market: Actors as Self-Employed Employees; A.Haunschild& D.Eikhof.- Making 'The Bits Between the Adverts: Management, Collective Bargaining and Work in Commercial Television, 1979-2005; A.McKinlay& B.Quinn.- PART III: NEW MEDIA.- Situating New Media Production: San Francisco, 1995-2000; A.Pratt.- Beyond the Hype: Working in the German Internet Industry; N.Mayer-Ahuja& H.Wolf.- The Organisation of Creativity: Content, Contracts and Control in Swedish Interactive Media Production; F.Augustsson& Å.Sandberg.
PART I: THEORY AND OVERVIEW - Introduction: Labour Process Analysis and Creative Industries; C.Smith & A.McKinlay - Creative Labour: Contract, Content and Control; C.Smith & A.McKinlay - From Conception to Consumption: Creativity and the Missing Managerial Link; P.Thompson, M.Jones & C.Warhurst - Working in the Creative Economy Risk, Adaptation, and the Persistence of Exclusionary Networks; S.Christopherson - PART II: CREATIVE LABOUR AND PRACTICE - Film, Theatre and Television - Still a 'Perfect World for Capital'? K.Randle & N.Culkin - I Donbt Know Where You Learn Them: Skills in Film and TV; I.Grugulis & D.Stoyanova - Bringing Creativity to Market: Actors as Self-Employed Employees; A.Haunschild & D.Eikhof - Making bThe Bits Between the Adverts: Management, Collective Bargaining and Work in Commercial Television, 1979-2005; A.McKinlay & B.Quinn - PART III: NEW MEDIA - Situating New Media Production: San Francisco, 1995-2000; A.Pratt - Beyond the Hype: Working in the German Internet Industry; N.Mayer-Ahuja & H.Wolf - The Organisation of Creativity: Content, Contracts and Control in Swedish Interactive Media Production; F.Augustsson & C.Sandberg
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