Addresses the very notion of what creative practice research is, its challenges within the academy and the ways in which it contributes to scholarship and knowledge
Addresses the very notion of what creative practice research is, its challenges within the academy and the ways in which it contributes to scholarship and knowledgeHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Agnieszka Piotrowska is an award-winning filmmaker and theorist, a Reader in Film Practice and Theory at the University of Bedfordshire and Visiting Professor at Gdansk University. Best known for her iconic documentary Married to the Eiffel Tower (2008), she is the author of three monographs and numerous journal articles. This is her fourth edited collection.
Inhaltsangabe
List of Figures Notes on Contributors Acknowledgements 1. Introduction - Against Compromises and Complicities Agnieszka Piotrowska 2. Against the Grain: Women Film Practitioners and Theorists Talk Creative Practice and Theory Jill Daniels, Rachel Velody and Eylem Atakav 3. Married to the Eiffel Tower (2008) - Notes on Love, Loss and Knowledge Agnieszka Piotrowska 4. Creativity and Neoliberalism: Between Autonomy, Resistance and Tactical Compliance Thomas Elsaesser 5. Tactical Compliance and the Persistence of Elsaesser William Brown 6. Storytelling and Game Playing Alexis Weedon 7. Autonomy and the Other Woman: Queer Active Agency and Postcolonial Expectations Jenny Barrett and Rosa Fong 8. From Neolithic to Neoliberal Tony Clancy 9. First-Person Expression on 'non-Western' Screens - China as a Case Study Kiki Tianqi Yu 10. Scholarly Exploration of the Creative Process: Integrating Film Theory and Practice Warren Buckland 11. Teaching Practice as Theory: Guerrilla Filmmaking William Brown 12. Baits of Falsehood: The Role of Fiction in Documentary or From Untheorised Practice to Unpractised Theory Bruce Eadie 13. Repented (2019) - A Creative Intersemiotic Translation Agnieszka Piotrowska Notes on Agnieszka Piotrowska's Repented Thomas Elsaesser 14. How Do You See Me? The Camera as Transitional Object in Diasporic, Domestic Ethnography Nariman Massoumi 15. 'Shut Your Hole, Girlie. Mine's Making Money, Doll': Creative Practice-Research & the Problem of Professionalism Roberta Mock 16. Feminist 'Pensive-Creative Praxis' and Irigaray: A Porous, Dialogical Encounter Judith Rifeser 17. The Paths of Creation or How Can I Help My Dybbouk to Get Out of Me? Isabelle Starkier 18. 'We Want to Kill Boko Haram'. Reflections on the Photographic Representation of Children in a Displacement Camp Tunde Alabi-Hundeyin 19. Between 'counter-movement' (Ingold) and 'living with ghosts' (Demos) Mischa Twitchin 20. Screen Memories: A Video Essay on Smultronstället / Wild Strawberries Catherine Grant Index
List of Figures Notes on Contributors Acknowledgements 1. Introduction - Against Compromises and Complicities Agnieszka Piotrowska 2. Against the Grain: Women Film Practitioners and Theorists Talk Creative Practice and Theory Jill Daniels, Rachel Velody and Eylem Atakav 3. Married to the Eiffel Tower (2008) - Notes on Love, Loss and Knowledge Agnieszka Piotrowska 4. Creativity and Neoliberalism: Between Autonomy, Resistance and Tactical Compliance Thomas Elsaesser 5. Tactical Compliance and the Persistence of Elsaesser William Brown 6. Storytelling and Game Playing Alexis Weedon 7. Autonomy and the Other Woman: Queer Active Agency and Postcolonial Expectations Jenny Barrett and Rosa Fong 8. From Neolithic to Neoliberal Tony Clancy 9. First-Person Expression on 'non-Western' Screens - China as a Case Study Kiki Tianqi Yu 10. Scholarly Exploration of the Creative Process: Integrating Film Theory and Practice Warren Buckland 11. Teaching Practice as Theory: Guerrilla Filmmaking William Brown 12. Baits of Falsehood: The Role of Fiction in Documentary or From Untheorised Practice to Unpractised Theory Bruce Eadie 13. Repented (2019) - A Creative Intersemiotic Translation Agnieszka Piotrowska Notes on Agnieszka Piotrowska's Repented Thomas Elsaesser 14. How Do You See Me? The Camera as Transitional Object in Diasporic, Domestic Ethnography Nariman Massoumi 15. 'Shut Your Hole, Girlie. Mine's Making Money, Doll': Creative Practice-Research & the Problem of Professionalism Roberta Mock 16. Feminist 'Pensive-Creative Praxis' and Irigaray: A Porous, Dialogical Encounter Judith Rifeser 17. The Paths of Creation or How Can I Help My Dybbouk to Get Out of Me? Isabelle Starkier 18. 'We Want to Kill Boko Haram'. Reflections on the Photographic Representation of Children in a Displacement Camp Tunde Alabi-Hundeyin 19. Between 'counter-movement' (Ingold) and 'living with ghosts' (Demos) Mischa Twitchin 20. Screen Memories: A Video Essay on Smultronstället / Wild Strawberries Catherine Grant Index
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