Michael Hanchett Hanson
Creative Work and Distributions of Power
Michael Hanchett Hanson
Creative Work and Distributions of Power
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Creative Work and Distributions of Power is a journey towards an energized and expanded space for considering power in discussions of creative work.
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Creative Work and Distributions of Power is a journey towards an energized and expanded space for considering power in discussions of creative work.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 254
- Erscheinungstermin: 10. Dezember 2024
- Englisch
- Abmessung: 229mm x 152mm x 16mm
- Gewicht: 531g
- ISBN-13: 9781032230764
- ISBN-10: 1032230762
- Artikelnr.: 71237125
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Taylor & Francis
- Seitenzahl: 254
- Erscheinungstermin: 10. Dezember 2024
- Englisch
- Abmessung: 229mm x 152mm x 16mm
- Gewicht: 531g
- ISBN-13: 9781032230764
- ISBN-10: 1032230762
- Artikelnr.: 71237125
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Michael Hanchett Hanson is a developmental psychologist; Director of the Masters Concentration in Creativity and Cognition at Teachers College, Columbia University, USA; a founding board member and Secretary of the International Society for the Study of Creativity and Innovation (ISSCI); a member of the Chair Homo Creativus, Université de Paris Cité, and President of Contexts R+D, a research and consulting practice.
Section 1: Launch 1. Metalogue: What are we doing here? 2. Metalogue: Do we need a map? 3. Metalogue: What do we mean by "participation"? Section 2: Toward an Ecological Epistemology 4. Introduction: Gregory Bateson 5. Gregory Bateson: The art of science 6. Metalogue: Wait! Did he say free will is a rat in a maze? 7. Metalogue: Is purpose good or bad? 8. Dolphins
Context
and Creative Power 9. Metalogue: Do we need this ladder? Section 3: Through Enchanted Mountains of Theory 10. Introduction: Power Theories and Their Metaphors 11. Budgets
Economies
and Ecologies 12. Investments
Games
and Fields 13. Metalogue: What field is this? 14. Enchanted and Haunted Fields 15. A Mediation Model of Purpose and Power 2.0 16. Metalogue: Why not "mind"? Section 4: Sojourn in a Land of Semiotic Disruption 17. Introduction: Tyler
The Creator 18. Tyler
The Creator: The Local Creative Eco-system 19. Tyler
The Creator: Audiences
Contexts
and Controversies 20. The Artist as Young Ironist 21. Metalogue: Are we studying
genius
perfect storms
or collusion with the world? Section 5: Return 22. Metalogue: What did we do here? 23. Freedom
Power
and Work 24. Invitation
Context
and Creative Power 9. Metalogue: Do we need this ladder? Section 3: Through Enchanted Mountains of Theory 10. Introduction: Power Theories and Their Metaphors 11. Budgets
Economies
and Ecologies 12. Investments
Games
and Fields 13. Metalogue: What field is this? 14. Enchanted and Haunted Fields 15. A Mediation Model of Purpose and Power 2.0 16. Metalogue: Why not "mind"? Section 4: Sojourn in a Land of Semiotic Disruption 17. Introduction: Tyler
The Creator 18. Tyler
The Creator: The Local Creative Eco-system 19. Tyler
The Creator: Audiences
Contexts
and Controversies 20. The Artist as Young Ironist 21. Metalogue: Are we studying
genius
perfect storms
or collusion with the world? Section 5: Return 22. Metalogue: What did we do here? 23. Freedom
Power
and Work 24. Invitation
Section 1: Launch 1. Metalogue: What are we doing here? 2. Metalogue: Do we need a map? 3. Metalogue: What do we mean by "participation"? Section 2: Toward an Ecological Epistemology 4. Introduction: Gregory Bateson 5. Gregory Bateson: The art of science 6. Metalogue: Wait! Did he say free will is a rat in a maze? 7. Metalogue: Is purpose good or bad? 8. Dolphins
Context
and Creative Power 9. Metalogue: Do we need this ladder? Section 3: Through Enchanted Mountains of Theory 10. Introduction: Power Theories and Their Metaphors 11. Budgets
Economies
and Ecologies 12. Investments
Games
and Fields 13. Metalogue: What field is this? 14. Enchanted and Haunted Fields 15. A Mediation Model of Purpose and Power 2.0 16. Metalogue: Why not "mind"? Section 4: Sojourn in a Land of Semiotic Disruption 17. Introduction: Tyler
The Creator 18. Tyler
The Creator: The Local Creative Eco-system 19. Tyler
The Creator: Audiences
Contexts
and Controversies 20. The Artist as Young Ironist 21. Metalogue: Are we studying
genius
perfect storms
or collusion with the world? Section 5: Return 22. Metalogue: What did we do here? 23. Freedom
Power
and Work 24. Invitation
Context
and Creative Power 9. Metalogue: Do we need this ladder? Section 3: Through Enchanted Mountains of Theory 10. Introduction: Power Theories and Their Metaphors 11. Budgets
Economies
and Ecologies 12. Investments
Games
and Fields 13. Metalogue: What field is this? 14. Enchanted and Haunted Fields 15. A Mediation Model of Purpose and Power 2.0 16. Metalogue: Why not "mind"? Section 4: Sojourn in a Land of Semiotic Disruption 17. Introduction: Tyler
The Creator 18. Tyler
The Creator: The Local Creative Eco-system 19. Tyler
The Creator: Audiences
Contexts
and Controversies 20. The Artist as Young Ironist 21. Metalogue: Are we studying
genius
perfect storms
or collusion with the world? Section 5: Return 22. Metalogue: What did we do here? 23. Freedom
Power
and Work 24. Invitation