Creative Writing and Art History
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This collection considers the ways in which the writing of art history intersects with creative writing, from the creative writing of art history to dialogues between styles of creative and art-historical writing. The topics covered include Paul Gauguin's collages of quotations, Sophie Calle's collaboration with Paul Auster, Henry James' portraiture, Bernard Berenson's fictional artist 'Amico di Sandro', Virginia Woolf's 'visual' writing, Pablo Picasso's solar mythology as re-written by Georges Bataille, and creative writing in the 'middle voice'
Creative Writing and Art History considers the ways in whichthe writing of art history intersects with creative writing. Essaysrange from the analysis of historical examples of art historicalwriting that have a creative element to examinations ofcontemporary modes of creative writing about art.
Considers the ways in which the writing of art historyintersects with creative writing
Covers a diverse subject matter, from late Neolithic stonecircles to the writing of a sentence by Flaubert
The collection both contains essays that survey the topic aswell as more specialist articles
Brings together specialist contributors from both sides of theAtlantic
Considers the ways in which the writing of art historyintersects with creative writing
Covers a diverse subject matter, from late Neolithic stonecircles to the writing of a sentence by Flaubert
The collection both contains essays that survey the topic aswell as more specialist articles
Brings together specialist contributors from both sides of theAtlantic