This book explores the intersection between faith, religion and performing arts in culture-based youth groups. Culture-specific churches provide a safe if "imagined community" in which young people can express these emerging identities, which move beyond simple framings like "multicultural" to explicitly include faith practices.
This book explores the intersection between faith, religion and performing arts in culture-based youth groups. Culture-specific churches provide a safe if "imagined community" in which young people can express these emerging identities, which move beyond simple framings like "multicultural" to explicitly include faith practices.
Anne M. Harris is Senior Lecturer at Monash University, and researches in the areas of creativity, performance and diversity.
Inhaltsangabe
Introduction: About This Book Section 1: Samoan Mediascapes and Faith-as-Performance Section 1 Overview 1. Education and the Creative Imaginary 2. God Culture and the Capacity to In/Aspire 3. Semblance and Praisesong Section 2: Religion, Art and a South Sudanese Post-National Imaginary Section 2 Overview 4. Imagining New Individualities / New Collectivities 5. The Art of Gender in South Sudanese Mediated Diasporas 6. Meaning and "Madolescence" Conclusion
Introduction: About This Book Section 1: Samoan Mediascapes and Faith-as-Performance Section 1 Overview 1. Education and the Creative Imaginary 2. God Culture and the Capacity to In/Aspire 3. Semblance and Praisesong Section 2: Religion, Art and a South Sudanese Post-National Imaginary Section 2 Overview 4. Imagining New Individualities / New Collectivities 5. The Art of Gender in South Sudanese Mediated Diasporas 6. Meaning and "Madolescence" Conclusion
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