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Since its rediscovery in the early 20th century Minoan Crete has captured the imagination not only of archaeologists but also of a wider public. It has appeared in a variety of modern cultural practices from the innovative dances of Sergei Diaghilev and Ted Shawn, to public and vernacular architecture, psychoanalysis, literature, sculpture, fash

Produktbeschreibung
Since its rediscovery in the early 20th century Minoan Crete has captured the imagination not only of archaeologists but also of a wider public. It has appeared in a variety of modern cultural practices from the innovative dances of Sergei Diaghilev and Ted Shawn, to public and vernacular architecture, psychoanalysis, literature, sculpture, fash
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Autorenporträt
Nicoletta Momigliano is Reader in Aegean Prehistory at the University of Bristol, specialising in Minoan archaeology. She has directed archaeological projects in Crete and Turkey, and is the author of many articles and books, including Archaeology and European Modernity: Producing and Consuming the Minoans (2006, co-edited with Yannis Hamilakis) and Duncan Mackenzie: a Cautious Canny Highlander and the Palace of Minos at Knossos (1999). Alexandre Farnoux is Professor of Archaeology and History of Art at the University of Paris IV (Sorbonne) and, since 2011, has been Director of the French School in Athens. He is an expert on the archaeology of Crete, where he has directed excavations at Malia and Dreros. His numerous publications include Cnossos, l'archéologie d'un rêve (1993) and Homère, le prince des poètes (2010).