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Crime Scenes: Modern Crime Fiction in an International Context examines the ways in which crime fiction has developed over several decades and in several national literary traditions. The volume covers a wide spectrum of current interests and topical concerns in the field of crime fiction studies. It introduces twenty-four original essays by an international group of scholars divided among three main sections: «Genres», «Authors and Texts» and «Topics». Issues discussed include genre syncretism, intertextuality, sexuality and gender, nationhood and globalization, postcolonial literature and ethical aspects of crime fiction.…mehr

Produktbeschreibung
Crime Scenes: Modern Crime Fiction in an International Context examines the ways in which crime fiction has developed over several decades and in several national literary traditions. The volume covers a wide spectrum of current interests and topical concerns in the field of crime fiction studies. It introduces twenty-four original essays by an international group of scholars divided among three main sections: «Genres», «Authors and Texts» and «Topics». Issues discussed include genre syncretism, intertextuality, sexuality and gender, nationhood and globalization, postcolonial literature and ethical aspects of crime fiction.
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Autorenporträt
Urszula Elias studied English Literature at the University of Gdäsk (Poland). Her research interests include British lesbian literature and Victorian women fiction (especially the issue of «New Womanhood»). Currently she is working on George Egerton¿s collections of short stories. Agnieszka Sienkiewicz-Charlish is a member of the Scottish Studies Research Group at the University of Gdäsk (Poland). Her research interests include Scottish literature, Gothic and crime fiction, especially «Tartan Noir» and Ian Rankin.