This concise, precise, and inclusive dictionary contributes to a growing, transforming, and living research culture within both humanities scholarship and professional practices within the creative sectors. Its format of succinct starting definitions, demonstrations of possible routes of further development, and references to new and revisited concepts as "conceptual invitations" allows readers to quickly uptake and orient themselves within this exciting methodological field for didactic, scholarly and creative use, and as a starting point for further investigation for future contributions to…mehr
This concise, precise, and inclusive dictionary contributes to a growing, transforming, and living research culture within both humanities scholarship and professional practices within the creative sectors. Its format of succinct starting definitions, demonstrations of possible routes of further development, and references to new and revisited concepts as "conceptual invitations" allows readers to quickly uptake and orient themselves within this exciting methodological field for didactic, scholarly and creative use, and as a starting point for further investigation for future contributions to the new canon of critical concepts. Critical Concepts for the Creative Humanities is the first book to outline and define the specific and evolving field of the creative humanities and provides the field's nascent bibliography.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Iris van der Tuin is professor of theory of cultural inquiry in the Department of Philosophy and Religious Studies at Utrecht University and Director of its School of Liberal Arts. Nanna Verhoeff is professor of screen cultures & society at the Department of Media and Culture Studies of Utrecht University. Together, Iris and Nanna initiated the Creative Humanities Academy of the Faculty of Humanities at Utrecht University: an infrastructure for collaboration between academic scholars and creative professionals, post-academic teaching, and consultancy on humanities theories, methodologies, and pedagogies. See: https://www.uu.nl/en/education/creative-humanities-academy.
Inhaltsangabe
Acknowledgements Introduction Accent Accident Affect Ambient Architecture, Architexture Assembling Asterisk * Between No-Longer and Not-Yet Both/And Brackets [], Parentheses () Care, Ethics of Care Cartography, Performative Cartography Classifixation Collage Collective Imaginings Condition Contagion Contingency Crossing Curation Dash - , Hyphen - Deixis Diffraction Dirt Dispositif Dramaturgy Eco-, Ecology Encounter Engagement Failure Figuration Following Friction Generation, Generative Gesture Glow Habit Hashtag # Implication Interface Irreducibility, Irreduction Kaleidoscope, Kaleidoscopic Making Kin, Unkinning Micrology Mode, Modality, Multi-Modality Navigation Openness Pluriverse Prefiguration Procedure Proposition Punctuation Randomization Rhythm Risk Scale, Scaling Scape, -scapes Situation, Situatedness Somatechnics Speculation Sticky, Stickiness Surface Sympathy Synchrony, Synchronicity Theoretical Object, Knowledge Object Trace, Tracing Trans-, Transing Unlearning Wonder Zetesis INDEX of Concepts INDEX of Names Bibliography About the Authors