From Oaxacan wood carvings to dessert kitchens in provincial France, Critical Craft presents thirteen ethnographies which examine what defines and makes 'craft' in a wide variety of practices from around the world.
From Oaxacan wood carvings to dessert kitchens in provincial France, Critical Craft presents thirteen ethnographies which examine what defines and makes 'craft' in a wide variety of practices from around the world.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Clare M. Wilkinson-Weber is Associate Professor of Anthropology at Washington State University Vancouver, USA.Alicia Ory DeNicola is Assistant Professor of Anthropology at Oxford College of Emory University, USA.
Inhaltsangabe
1: Introduction: Taking Stock of Craft in AnthropologyAlicia Ory DeNicola Oxford College of Emory University USA and Clare M. Wilkinson-Weber Washington State University Vancouver USAPart I: Contentions2: Who Authors Crafts? Producing Woodcarvings and Authorship in Oaxaca MexicoAlanna Cant University of Oslo Norway3: Forging Source: Considering the Craft of Computer Programming Lane DeNicola Emory University USA4: American Beauty: The Middle Class Arts and Crafts Revival in the United States Frances E. Mascia-Lees Rutgers University USA5: Designs on Craft: Negotiating Artisanal Knowledge and Identity in IndiaClare M. Wilkinson-Weber Washington State University Vancouver USA and Alicia Ory DeNicola Oxford College of Emory University USA6: Nomadic Artisans in Central America: Building Plurilocal Communities through Craft Millaray Villalobos Dirección General de Migración y Extranjería Costa RicaPart II: Conundrums7: Number in Craft: Situated Numbering Practices in Do-It-Yourself Sensor SystemsDawn Nafus and Richard Beckwith Intel Corporation USA8: Crafting Good Chocolate in France and the US Susan Terrio Georgetown University USA9: Creativity Critique and Conservatism: Keeping Craft Alive among Moroccan Carpet Weavers and French Organic Farmers Myriem Naji University College London UK10: Refashioning a Global Craft Commodity Flow from the Central PhilippinesB. Lynne Milgram OCAD University CanadaPart III: Conflicts11: ConflictingIdeologiesof the DigitalHand: Locating the Material in a Digital AgeDaniela Rosner University of Washington USA12: Materials the Nation and the Self: Division of Labor in a Taiwanese CraftGeoffrey Gowlland University of Oslo Norway13: Craft Memory and Loss: Hand-Embroidery in Zaria City NigeriaElisha Renne University of Michigan USA14: Crafting Muslim Artisans: Agency and Exclusion in India's Urban Craft CommunitiesMira Mohsini Kalamazoo College USANotesReferencesIndex
1: Introduction: Taking Stock of Craft in AnthropologyAlicia Ory DeNicola Oxford College of Emory University USA and Clare M. Wilkinson-Weber Washington State University Vancouver USAPart I: Contentions2: Who Authors Crafts? Producing Woodcarvings and Authorship in Oaxaca MexicoAlanna Cant University of Oslo Norway3: Forging Source: Considering the Craft of Computer Programming Lane DeNicola Emory University USA4: American Beauty: The Middle Class Arts and Crafts Revival in the United States Frances E. Mascia-Lees Rutgers University USA5: Designs on Craft: Negotiating Artisanal Knowledge and Identity in IndiaClare M. Wilkinson-Weber Washington State University Vancouver USA and Alicia Ory DeNicola Oxford College of Emory University USA6: Nomadic Artisans in Central America: Building Plurilocal Communities through Craft Millaray Villalobos Dirección General de Migración y Extranjería Costa RicaPart II: Conundrums7: Number in Craft: Situated Numbering Practices in Do-It-Yourself Sensor SystemsDawn Nafus and Richard Beckwith Intel Corporation USA8: Crafting Good Chocolate in France and the US Susan Terrio Georgetown University USA9: Creativity Critique and Conservatism: Keeping Craft Alive among Moroccan Carpet Weavers and French Organic Farmers Myriem Naji University College London UK10: Refashioning a Global Craft Commodity Flow from the Central PhilippinesB. Lynne Milgram OCAD University CanadaPart III: Conflicts11: ConflictingIdeologiesof the DigitalHand: Locating the Material in a Digital AgeDaniela Rosner University of Washington USA12: Materials the Nation and the Self: Division of Labor in a Taiwanese CraftGeoffrey Gowlland University of Oslo Norway13: Craft Memory and Loss: Hand-Embroidery in Zaria City NigeriaElisha Renne University of Michigan USA14: Crafting Muslim Artisans: Agency and Exclusion in India's Urban Craft CommunitiesMira Mohsini Kalamazoo College USANotesReferencesIndex
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