From Oaxacan wood carvings to dessert kitchens in provincial France, Critical Craft presents thirteen ethnographies which examine what defines and makes â craftâ in a wide variety of practices from around the world.
From Oaxacan wood carvings to dessert kitchens in provincial France, Critical Craft presents thirteen ethnographies which examine what defines and makes â craftâ in a wide variety of practices from around the world.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Clare M. Wilkinson-Weber is Associate Professor of Anthropology at Washington State University Vancouver, USA.Alicia Ory DeNicola is Assistant Professor of Anthropology at Oxford College of Emory University, USA.
Inhaltsangabe
1: Introduction: Taking Stock of Craft in AnthropologyAlicia Ory DeNicola Oxford College of Emory University USA and Clare M. Wilkinson-Weber Washington State University Vancouver USAPart I: Contentions2: Who Authors Crafts? Producing Woodcarvings and Authorship in Oaxaca MexicoAlanna Cant University of Oslo Norway3: Forging Source: Considering the Craft of Computer Programming Lane DeNicola Emory University USA4: American Beauty: The Middle Class Arts and Crafts Revival in the United States Frances E. Mascia-Lees Rutgers University USA5: Designs on Craft: Negotiating Artisanal Knowledge and Identity in IndiaClare M. Wilkinson-Weber Washington State University Vancouver USA and Alicia Ory DeNicola Oxford College of Emory University USA6: Nomadic Artisans in Central America: Building Plurilocal Communities through Craft Millaray Villalobos Dirección General de Migración y Extranjería Costa RicaPart II: Conundrums7: Number in Craft: Situated Numbering Practices in Do-It-Yourself Sensor SystemsDawn Nafus and Richard Beckwith Intel Corporation USA8: Crafting Good Chocolate in France and the US Susan Terrio Georgetown University USA9: Creativity Critique and Conservatism: Keeping Craft Alive among Moroccan Carpet Weavers and French Organic Farmers Myriem Naji University College London UK10: Refashioning a Global Craft Commodity Flow from the Central PhilippinesB. Lynne Milgram OCAD University CanadaPart III: Conflicts11: ConflictingIdeologiesof the DigitalHand: Locating the Material in a Digital AgeDaniela Rosner University of Washington USA12: Materials the Nation and the Self: Division of Labor in a Taiwanese CraftGeoffrey Gowlland University of Oslo Norway13: Craft Memory and Loss: Hand-Embroidery in Zaria City NigeriaElisha Renne University of Michigan USA14: Crafting Muslim Artisans: Agency and Exclusion in India's Urban Craft CommunitiesMira Mohsini Kalamazoo College USANotesReferencesIndex
1: Introduction: Taking Stock of Craft in AnthropologyAlicia Ory DeNicola Oxford College of Emory University USA and Clare M. Wilkinson-Weber Washington State University Vancouver USAPart I: Contentions2: Who Authors Crafts? Producing Woodcarvings and Authorship in Oaxaca MexicoAlanna Cant University of Oslo Norway3: Forging Source: Considering the Craft of Computer Programming Lane DeNicola Emory University USA4: American Beauty: The Middle Class Arts and Crafts Revival in the United States Frances E. Mascia-Lees Rutgers University USA5: Designs on Craft: Negotiating Artisanal Knowledge and Identity in IndiaClare M. Wilkinson-Weber Washington State University Vancouver USA and Alicia Ory DeNicola Oxford College of Emory University USA6: Nomadic Artisans in Central America: Building Plurilocal Communities through Craft Millaray Villalobos Dirección General de Migración y Extranjería Costa RicaPart II: Conundrums7: Number in Craft: Situated Numbering Practices in Do-It-Yourself Sensor SystemsDawn Nafus and Richard Beckwith Intel Corporation USA8: Crafting Good Chocolate in France and the US Susan Terrio Georgetown University USA9: Creativity Critique and Conservatism: Keeping Craft Alive among Moroccan Carpet Weavers and French Organic Farmers Myriem Naji University College London UK10: Refashioning a Global Craft Commodity Flow from the Central PhilippinesB. Lynne Milgram OCAD University CanadaPart III: Conflicts11: ConflictingIdeologiesof the DigitalHand: Locating the Material in a Digital AgeDaniela Rosner University of Washington USA12: Materials the Nation and the Self: Division of Labor in a Taiwanese CraftGeoffrey Gowlland University of Oslo Norway13: Craft Memory and Loss: Hand-Embroidery in Zaria City NigeriaElisha Renne University of Michigan USA14: Crafting Muslim Artisans: Agency and Exclusion in India's Urban Craft CommunitiesMira Mohsini Kalamazoo College USANotesReferencesIndex
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