Critical Craft
Technology, Globalization, and Capitalism
Herausgeber: Denicola, Alicia Ory; Wilkinson-Weber, Clare M.
Critical Craft
Technology, Globalization, and Capitalism
Herausgeber: Denicola, Alicia Ory; Wilkinson-Weber, Clare M.
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From Oaxacan wood carvings to dessert kitchens in provincial France, Critical Craft presents thirteen ethnographies which examine what defines and makes â craftâ in a wide variety of practices from around the world.
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From Oaxacan wood carvings to dessert kitchens in provincial France, Critical Craft presents thirteen ethnographies which examine what defines and makes â craftâ in a wide variety of practices from around the world.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 320
- Erscheinungstermin: 25. Februar 2016
- Englisch
- Abmessung: 233mm x 154mm x 22mm
- Gewicht: 536g
- ISBN-13: 9781472594853
- ISBN-10: 1472594851
- Artikelnr.: 42851869
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 320
- Erscheinungstermin: 25. Februar 2016
- Englisch
- Abmessung: 233mm x 154mm x 22mm
- Gewicht: 536g
- ISBN-13: 9781472594853
- ISBN-10: 1472594851
- Artikelnr.: 42851869
Clare M. Wilkinson-Weber is Associate Professor of Anthropology at Washington State University Vancouver, USA.Alicia Ory DeNicola is Assistant Professor of Anthropology at Oxford College of Emory University, USA.
1: Introduction: Taking Stock of Craft in AnthropologyAlicia Ory DeNicola
Oxford College of Emory University
USA and Clare M. Wilkinson-Weber
Washington State University Vancouver
USAPart I: Contentions2: Who Authors Crafts? Producing Woodcarvings and Authorship in Oaxaca
MexicoAlanna Cant
University of Oslo
Norway3: Forging Source: Considering the Craft of Computer Programming Lane DeNicola
Emory University
USA4: American Beauty: The Middle Class Arts and Crafts Revival in the United States Frances E. Mascia-Lees
Rutgers University
USA5: Designs on Craft: Negotiating Artisanal Knowledge and Identity in IndiaClare M. Wilkinson-Weber
Washington State University Vancouver
USA and Alicia Ory DeNicola
Oxford College of Emory University
USA6: Nomadic Artisans in Central America: Building Plurilocal Communities through Craft Millaray Villalobos
Dirección General de Migración y Extranjería
Costa RicaPart II: Conundrums7: Number in Craft: Situated Numbering Practices in Do-It-Yourself Sensor SystemsDawn Nafus and Richard Beckwith
Intel Corporation
USA8: Crafting Good Chocolate in France and the US Susan Terrio
Georgetown University
USA9: Creativity
Critique and Conservatism: Keeping Craft Alive among Moroccan Carpet Weavers and French Organic Farmers Myriem Naji
University College London
UK10: Refashioning a Global Craft Commodity Flow from the Central PhilippinesB. Lynne Milgram
OCAD University
CanadaPart III: Conflicts11: ConflictingIdeologiesof the DigitalHand: Locating the Material in a Digital AgeDaniela Rosner
University of Washington
USA12: Materials
the Nation and the Self: Division of Labor in a Taiwanese CraftGeoffrey Gowlland
University of Oslo
Norway13: Craft
Memory and Loss: Hand-Embroidery in Zaria City
NigeriaElisha Renne
University of Michigan
USA14: Crafting Muslim Artisans: Agency and Exclusion in India's Urban Craft CommunitiesMira Mohsini
Kalamazoo College
USANotesReferencesIndex
Oxford College of Emory University
USA and Clare M. Wilkinson-Weber
Washington State University Vancouver
USAPart I: Contentions2: Who Authors Crafts? Producing Woodcarvings and Authorship in Oaxaca
MexicoAlanna Cant
University of Oslo
Norway3: Forging Source: Considering the Craft of Computer Programming Lane DeNicola
Emory University
USA4: American Beauty: The Middle Class Arts and Crafts Revival in the United States Frances E. Mascia-Lees
Rutgers University
USA5: Designs on Craft: Negotiating Artisanal Knowledge and Identity in IndiaClare M. Wilkinson-Weber
Washington State University Vancouver
USA and Alicia Ory DeNicola
Oxford College of Emory University
USA6: Nomadic Artisans in Central America: Building Plurilocal Communities through Craft Millaray Villalobos
Dirección General de Migración y Extranjería
Costa RicaPart II: Conundrums7: Number in Craft: Situated Numbering Practices in Do-It-Yourself Sensor SystemsDawn Nafus and Richard Beckwith
Intel Corporation
USA8: Crafting Good Chocolate in France and the US Susan Terrio
Georgetown University
USA9: Creativity
Critique and Conservatism: Keeping Craft Alive among Moroccan Carpet Weavers and French Organic Farmers Myriem Naji
University College London
UK10: Refashioning a Global Craft Commodity Flow from the Central PhilippinesB. Lynne Milgram
OCAD University
CanadaPart III: Conflicts11: ConflictingIdeologiesof the DigitalHand: Locating the Material in a Digital AgeDaniela Rosner
University of Washington
USA12: Materials
the Nation and the Self: Division of Labor in a Taiwanese CraftGeoffrey Gowlland
University of Oslo
Norway13: Craft
Memory and Loss: Hand-Embroidery in Zaria City
NigeriaElisha Renne
University of Michigan
USA14: Crafting Muslim Artisans: Agency and Exclusion in India's Urban Craft CommunitiesMira Mohsini
Kalamazoo College
USANotesReferencesIndex
1: Introduction: Taking Stock of Craft in AnthropologyAlicia Ory DeNicola
Oxford College of Emory University
USA and Clare M. Wilkinson-Weber
Washington State University Vancouver
USAPart I: Contentions2: Who Authors Crafts? Producing Woodcarvings and Authorship in Oaxaca
MexicoAlanna Cant
University of Oslo
Norway3: Forging Source: Considering the Craft of Computer Programming Lane DeNicola
Emory University
USA4: American Beauty: The Middle Class Arts and Crafts Revival in the United States Frances E. Mascia-Lees
Rutgers University
USA5: Designs on Craft: Negotiating Artisanal Knowledge and Identity in IndiaClare M. Wilkinson-Weber
Washington State University Vancouver
USA and Alicia Ory DeNicola
Oxford College of Emory University
USA6: Nomadic Artisans in Central America: Building Plurilocal Communities through Craft Millaray Villalobos
Dirección General de Migración y Extranjería
Costa RicaPart II: Conundrums7: Number in Craft: Situated Numbering Practices in Do-It-Yourself Sensor SystemsDawn Nafus and Richard Beckwith
Intel Corporation
USA8: Crafting Good Chocolate in France and the US Susan Terrio
Georgetown University
USA9: Creativity
Critique and Conservatism: Keeping Craft Alive among Moroccan Carpet Weavers and French Organic Farmers Myriem Naji
University College London
UK10: Refashioning a Global Craft Commodity Flow from the Central PhilippinesB. Lynne Milgram
OCAD University
CanadaPart III: Conflicts11: ConflictingIdeologiesof the DigitalHand: Locating the Material in a Digital AgeDaniela Rosner
University of Washington
USA12: Materials
the Nation and the Self: Division of Labor in a Taiwanese CraftGeoffrey Gowlland
University of Oslo
Norway13: Craft
Memory and Loss: Hand-Embroidery in Zaria City
NigeriaElisha Renne
University of Michigan
USA14: Crafting Muslim Artisans: Agency and Exclusion in India's Urban Craft CommunitiesMira Mohsini
Kalamazoo College
USANotesReferencesIndex
Oxford College of Emory University
USA and Clare M. Wilkinson-Weber
Washington State University Vancouver
USAPart I: Contentions2: Who Authors Crafts? Producing Woodcarvings and Authorship in Oaxaca
MexicoAlanna Cant
University of Oslo
Norway3: Forging Source: Considering the Craft of Computer Programming Lane DeNicola
Emory University
USA4: American Beauty: The Middle Class Arts and Crafts Revival in the United States Frances E. Mascia-Lees
Rutgers University
USA5: Designs on Craft: Negotiating Artisanal Knowledge and Identity in IndiaClare M. Wilkinson-Weber
Washington State University Vancouver
USA and Alicia Ory DeNicola
Oxford College of Emory University
USA6: Nomadic Artisans in Central America: Building Plurilocal Communities through Craft Millaray Villalobos
Dirección General de Migración y Extranjería
Costa RicaPart II: Conundrums7: Number in Craft: Situated Numbering Practices in Do-It-Yourself Sensor SystemsDawn Nafus and Richard Beckwith
Intel Corporation
USA8: Crafting Good Chocolate in France and the US Susan Terrio
Georgetown University
USA9: Creativity
Critique and Conservatism: Keeping Craft Alive among Moroccan Carpet Weavers and French Organic Farmers Myriem Naji
University College London
UK10: Refashioning a Global Craft Commodity Flow from the Central PhilippinesB. Lynne Milgram
OCAD University
CanadaPart III: Conflicts11: ConflictingIdeologiesof the DigitalHand: Locating the Material in a Digital AgeDaniela Rosner
University of Washington
USA12: Materials
the Nation and the Self: Division of Labor in a Taiwanese CraftGeoffrey Gowlland
University of Oslo
Norway13: Craft
Memory and Loss: Hand-Embroidery in Zaria City
NigeriaElisha Renne
University of Michigan
USA14: Crafting Muslim Artisans: Agency and Exclusion in India's Urban Craft CommunitiesMira Mohsini
Kalamazoo College
USANotesReferencesIndex