Critical Discourse in Telugu
Herausgeber: Rani, K. Suneetha
Critical Discourse in Telugu
Herausgeber: Rani, K. Suneetha
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This volume offers crucial insights into the making of Telugu literature and its critical tradition across a century. It brings together English translation of 32 major writings dealing with literary criticism and theory, aesthetic and performative traditions and re-interpretations of primary concepts and categories in Telugu.
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This volume offers crucial insights into the making of Telugu literature and its critical tradition across a century. It brings together English translation of 32 major writings dealing with literary criticism and theory, aesthetic and performative traditions and re-interpretations of primary concepts and categories in Telugu.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Routledge India
- Seitenzahl: 294
- Erscheinungstermin: 30. November 2021
- Englisch
- Abmessung: 240mm x 161mm x 20mm
- Gewicht: 610g
- ISBN-13: 9781138550315
- ISBN-10: 1138550310
- Artikelnr.: 62267734
- Verlag: Routledge India
- Seitenzahl: 294
- Erscheinungstermin: 30. November 2021
- Englisch
- Abmessung: 240mm x 161mm x 20mm
- Gewicht: 610g
- ISBN-13: 9781138550315
- ISBN-10: 1138550310
- Artikelnr.: 62267734
K. Suneetha Rani is Professor at the Centre for Women's Studies, University of Hyderabad, India. She taught at the Department of English, Women's University, Tirupati and the Department of English, University of Hyderabad, before joining the Centre for Women's Studies in 2011. Her areas of interest include gender studies, cultural studies, comparative studies, new literatures in English and translation studies. She translates from Telugu to English and vice versa. She has extensively published research articles and translations in English and Telugu. Her major publications in English include Australian Aboriginal Women's Autobiographies: A Critical Study (2006); Flowering from the Soil: Dalit Women's Writing from Telugu (translation of Dalit women's select writings from Telugu, 2012); English in the Dalit Context (co-editor, 2014); Vibhinna: Voices from Contemporary Telugu Writing (co-editor, 2015); A House on the Outskirts and Other Stories (translation of Devarakonda Balagangadhara Tilak's select short fiction from Telugu, 2016); Influence of English on Indian Women Writers: Voices from the Regional Languages (2017); Identities and Assertions: Dalit Women's Narratives (2017); and The Rock That Was Not (translation of Githanjali's select short fiction from Telugu, 2019).
1. Women's Education [February 1875] 2. Prologue to A Memorandum on Modern
Telugu 3. Prologue to Radhika Santvanamu 4. Foreword to History of Telugu
Literature 5. The Harm Caused to Telugu 6. The Sitamma Tikkanna Sculpted 7.
Introduction to Musalamma Maranamu 8. Man and Woman (Excluding the Aspect
of Love) 9. Freedom of the Artist 10. Purpose of Poetry 11. The Structure
of Poetic Revolutions 12. Those Six Poets 13. Why Sanskrit, Oh Swami? 14.
The Word is the World 15. The Story of Rama and the Class Character 16.
First Generation Short Stories of Telangana 17. The Origins of Telugu Drama
That One Does Not Wish to See 18. Literary Criticism, too, is Social Praxis
19. Music That's Snapping Its Shackles 20. Protest against the Caste
Hegemony 21. Literature and its Philosophical Premise 22. The Trajectories
of Kalingandhra Story 23. Rasa and Women's Experience 24. Why has
Madhuravani Changed? 25. Reflections on Marxist Literary Criticism in
Telugu 26. Coarse Winnows that Sift Literature 27. Difference of
Perspectives between Dalit Literature and Revolutionary Literature 28. The
Furnace 29. A Garden of Mirrors: Reclaiming the Sufi Past and Contemporary
Muslim Discourse 30. Poetry is but the Reflection of Realistic Identities
31. Muslim Women's Poetry 32. The Story of Yellamma: The Philosophical
Perspective
Telugu 3. Prologue to Radhika Santvanamu 4. Foreword to History of Telugu
Literature 5. The Harm Caused to Telugu 6. The Sitamma Tikkanna Sculpted 7.
Introduction to Musalamma Maranamu 8. Man and Woman (Excluding the Aspect
of Love) 9. Freedom of the Artist 10. Purpose of Poetry 11. The Structure
of Poetic Revolutions 12. Those Six Poets 13. Why Sanskrit, Oh Swami? 14.
The Word is the World 15. The Story of Rama and the Class Character 16.
First Generation Short Stories of Telangana 17. The Origins of Telugu Drama
That One Does Not Wish to See 18. Literary Criticism, too, is Social Praxis
19. Music That's Snapping Its Shackles 20. Protest against the Caste
Hegemony 21. Literature and its Philosophical Premise 22. The Trajectories
of Kalingandhra Story 23. Rasa and Women's Experience 24. Why has
Madhuravani Changed? 25. Reflections on Marxist Literary Criticism in
Telugu 26. Coarse Winnows that Sift Literature 27. Difference of
Perspectives between Dalit Literature and Revolutionary Literature 28. The
Furnace 29. A Garden of Mirrors: Reclaiming the Sufi Past and Contemporary
Muslim Discourse 30. Poetry is but the Reflection of Realistic Identities
31. Muslim Women's Poetry 32. The Story of Yellamma: The Philosophical
Perspective
1. Women's Education [February 1875] 2. Prologue to A Memorandum on Modern
Telugu 3. Prologue to Radhika Santvanamu 4. Foreword to History of Telugu
Literature 5. The Harm Caused to Telugu 6. The Sitamma Tikkanna Sculpted 7.
Introduction to Musalamma Maranamu 8. Man and Woman (Excluding the Aspect
of Love) 9. Freedom of the Artist 10. Purpose of Poetry 11. The Structure
of Poetic Revolutions 12. Those Six Poets 13. Why Sanskrit, Oh Swami? 14.
The Word is the World 15. The Story of Rama and the Class Character 16.
First Generation Short Stories of Telangana 17. The Origins of Telugu Drama
That One Does Not Wish to See 18. Literary Criticism, too, is Social Praxis
19. Music That's Snapping Its Shackles 20. Protest against the Caste
Hegemony 21. Literature and its Philosophical Premise 22. The Trajectories
of Kalingandhra Story 23. Rasa and Women's Experience 24. Why has
Madhuravani Changed? 25. Reflections on Marxist Literary Criticism in
Telugu 26. Coarse Winnows that Sift Literature 27. Difference of
Perspectives between Dalit Literature and Revolutionary Literature 28. The
Furnace 29. A Garden of Mirrors: Reclaiming the Sufi Past and Contemporary
Muslim Discourse 30. Poetry is but the Reflection of Realistic Identities
31. Muslim Women's Poetry 32. The Story of Yellamma: The Philosophical
Perspective
Telugu 3. Prologue to Radhika Santvanamu 4. Foreword to History of Telugu
Literature 5. The Harm Caused to Telugu 6. The Sitamma Tikkanna Sculpted 7.
Introduction to Musalamma Maranamu 8. Man and Woman (Excluding the Aspect
of Love) 9. Freedom of the Artist 10. Purpose of Poetry 11. The Structure
of Poetic Revolutions 12. Those Six Poets 13. Why Sanskrit, Oh Swami? 14.
The Word is the World 15. The Story of Rama and the Class Character 16.
First Generation Short Stories of Telangana 17. The Origins of Telugu Drama
That One Does Not Wish to See 18. Literary Criticism, too, is Social Praxis
19. Music That's Snapping Its Shackles 20. Protest against the Caste
Hegemony 21. Literature and its Philosophical Premise 22. The Trajectories
of Kalingandhra Story 23. Rasa and Women's Experience 24. Why has
Madhuravani Changed? 25. Reflections on Marxist Literary Criticism in
Telugu 26. Coarse Winnows that Sift Literature 27. Difference of
Perspectives between Dalit Literature and Revolutionary Literature 28. The
Furnace 29. A Garden of Mirrors: Reclaiming the Sufi Past and Contemporary
Muslim Discourse 30. Poetry is but the Reflection of Realistic Identities
31. Muslim Women's Poetry 32. The Story of Yellamma: The Philosophical
Perspective